Cruising (1980) - Rotten Tomatoes


Cruising (1980)



Critic Consensus: No consensus yet.

Cruising Photos

Movie Info

A New York City cop goes undercover in New York's gay community to catch a serial killer.

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Al Pacino
as Steve Burns
Paul Sorvino
as Capt. Edelson
Richard Cox
as Stuart Richards
Don Scardino
as Ted Bailey
Joe Spinell
as Patrolman DiSimone
Jay Acovone
as Skip Lee
Randy Jurgensen
as Detective Lefransky
Barton Heyman
as Dr. Rifkin
Gene Davis
as Da Vinci
Sonny Grosso
as Detective Blasio
Larry Atlas
as Eric Rossman
Allan Miller
as Chief of Detectives
Edward O'Neil
as Detective Schreiber
Michael J. Aronin
as Detective Davis
James Remar
as Gregory
William Russ
as Paul Gaines
Mike Starr
as Patrolman Desher
Steve Inwood
as Martino
Leland Starnes
as Jack Richards
Robert Benjamin Pope
as Da Vinci's Friend
Leo Burmester
as Water Sport
Charles Dunlap
as Three Card Monte
Powers Boothe
as Hankie Salesman
Carmine Stipo
as Bartender
Ed O'Neill
as Det. Schreiber
James Hyden
as Cockpit Coke Man
Todd Winters
as Tugboat Mate
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Critic Reviews for Cruising

All Critics (43) | Top Critics (10)

William Friedkin's Cruising is a work of art.

April 27, 2018 | Full Review…

What we're left with is a movie without the courage to declare itself.

June 9, 2014 | Rating: 2.5/4 | Full Review…

This detective melodrama has something to offend almost everyone.

June 9, 2014 | Full Review…

What's left is the framework for a graphic, brutal, sickening film, without the violent effects that might have made sense (however illegitimate) out of the conception.

June 9, 2014 | Full Review…

Taking away the kissing, caressing and a few bloody killings, Friedkin has no story, though picture pretends to be a murder mystery combined with a study of Al Pacino's psychological degradation.

March 26, 2009 | Full Review…

Its gamy images inside the leather and S&M gay bars along the Greenwich Village waterfront are both busy and dark.

September 7, 2007 | Rating: 2.5/4 | Full Review…

Audience Reviews for Cruising

Interesting film -- if for no other reason than to see gay stereotypes from the late 1970s and early 1980s. Bold role for Paccino, played convincingly.

Christian C
Christian C

Super Reviewer


With the 80's explosion of homosexuality in the mainstream, director William Friedkin set out to explore the tension that consumed New York during this time. How a fear of the "other" during this anxious period, so easily manifest itself as hate. Now, what I just described above, is fodder for a great film. Unfortunately, Friedkin's final product "Cruising", isn't that great film. It often forgoes the dark and compelling for the shocking and exploitative. Friedkin seems to lend as much grace and finesse to this subject that he clearly has a cursory knowledge of. Meaning of course, he lends incredibly little.What the viewer gets in essence is a clunky gay horror film in which a hesitant Pacino slowly becomes immersed in a seedy realm of the subversive gay world. It's filmed in such a way that it feels like a gay Rome, replete with an all-consuming plague like hedonism that is meant to appall. I mean, why else would Friedkin go to such lengths to make sure the viewer gets treated a nice long fisting scene? Friedkin cuts together shots of a knife being thrust into a man's back with others of a penis being plunged into a man's butt. It is hard to not feel like Friedkin is grimly equating murder with homosexuality. This is even furthered by a certain scene in which blood is seen spurting, ejaculating, on the screen in a theater that plays gay porn. The acts of these deviants are drenched in the blood of countless men. In fact, Friedkin seems so intent on wanting to shock that he ends up not really saying anything of substance. He really only succeeds in propagating stereotypes, fear, and that if a black man in a cowboy hat and jockstrap walks into a room with you, it would behoove you to walk out. I find Friedkin to be one of the more fascinating figures in American cinematic history. When he hits it, he cranks it out of the park. When he misses, he not only wastes a good opportunity, he also seems to throw his shoulder out in the process. It is no wonder that after a disaster like this, it has been an uphill battle just getting himself back in the game.

Reid Volk
Reid Volk

Super Reviewer

A compelling look at the gay underground in late 70's NYC, with a complex Pacino performance. Unfortunately, there is ample evidence of studio tinkering, especially towards the end when the whole thing simply falls apart. Too bad.

Steve K
Steve K

Super Reviewer

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