The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Caan's directorial debut is eager to please, with flashy montage sequences, lots of colourful character bits ... black humour and a punk/blues score from the likes of Soledad Brothers and White Stripes.
The film's opening and closing credit sequences, with their wonderfully constructed preamble and epilogue, show Caan's filmmaking at its best and most fully articulated. We look forward to hearing more from him.
Scott Caan has been an enjoyable presence in movies, but his confident eye behind the camera and on the page is even more noteworthy. Dallas 362 is as assured a debut as I've seen on the film festival circuit this year.