Dance, Fools, Dance (1931)
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as Bonnie Jordan
as Robert 'Bob' Townsend
as Bert Scranton
as Rodney Jordan
as Stanley Jordan
as Jake Luva
as Wally Baxter
as Wally Baxter
as Police Reporter
as Jack, a Hood
as Dance Extra
Critic Reviews for Dance, Fools, Dance
A wonderful little film on its own, but it's also a handy little primer of early-1930s genre conventions.
Beaumont directed this preposterous MGM melodrama, starring Joan Crawford as a rich girl, just before Clark Gable became a star and thus could still play a gangsters
Audience Reviews for Dance, Fools, Dance
Dance, Fools, Dance (1932) Here's another Joan Crawford movie to add to your list. Here, she plays a spoiled rich girl, Bonnie Jordan. Her and her brother, Rodney (William Bakewell) are partying like it's 1999. Bonnie is seeing Bob (Lester Vail) more out of habit. Everything is free and easy. Then the stock market crashes and old man Stanley Jordan, played by William Holden (not the same Bill Holden that you're thinking) collapses on the trading room floor of a heart attack. All of their money is gone, they have to sell the mansion out from under them and (gulp) get a job. They become a pariah by their former rich friends. Even Bob uneasily proposes to Bonnie, out of pitty, which Bonnie turned down. Bonnie gets a job on a newspaper from her dad's old friends, but Roddy is kind of dangling a bit. He falls in with some bootleggers run by Jake Luva (Clark Gable). It doesn't take long before Roddy realizes that he's way over his head with these guys, who massacre a rival gang. Bonnie goes undercover as a dancer in Luva's speak-easy to try to get the goods on him. Jake Luva is taken by her nice legs and is putting the moves on her to her disgust. Maybe Bonnie's is in way over her head too.
Early Crawford vehicle is decent film with a tough outlook but Joan hadn't quite adapted fully from silents into sound and does a great deal of eye popping to express emotion. She looks sensational though.
A decent pre-code crime film told primarily from the woman's perspective. It's an interesting combination of gangster film and newspaper drama. Joan Crawford puts in a solid performance, but it's Gable (as a bad guy) who's simply electrifying.
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