The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
One can only hope that in the future [Reeves] will devote himself to playing androids, less-self-aware species of undead, stylish pieces of contemporary furniture, and other roles that do not require the exhibition of any recognizably human traits.
Remaking a movie is easy. Engineering a good remake is difficult. One key quality that separates the two is inspiration, and that's a characteristic not to be found in 2008's The Day the Earth Stood Still.
Arguably the worst reconstitution of a '50s sci-fi classic since the ghastly Godzilla remake, The Day the Earth Stood Still is a stunningly misconceived folly that is bearable only for as long as it remains a fair-to-middling chase movie.
Despite all the fog machines and giant glowing spheres and TV actors excited to be in a big-budget movie, this remake of the 1951 sci-fi classic that gave baby boomer kids chills simply fails to strike any sparks.
After Wall-E and I Am Legend and the dozens of apocalypse flicks since the last Day the Earth Stood Still we can surely do better. Even Klaatu looks bored and distracted, much as he did back when we knew him as Neo.
While Robert Wise's science-fiction classic The Day the Earth Stood Still" was a simple story of deep ideas, the remake is an overblown, puny-minded tale featuring extraterrestrials too stupid or lazy to do a background check on the species they condemn.