The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
For the lowbrow, the thrill is a level of fleshy explosiveness reminiscent of David Cronenberg's Scanners. No one dies quietly; he must either detonate like Hiroshima or burst into juicy red chunks of viscera.
In the end, Daybreakers doesn't really want to make anyone think too hard. If that were to happen, they might stop to wonder why all the human survivors out there hiding in fear of their lives don't just become garlic farmers and call it a day.
Just when you think popular culture has exhausted all the metaphorical and allegorical possibilities, the film unifies all the usual tropes (bloodlust, heliophobia, fangs) into a complete science fiction whole.
Peter and Michael Spierig's earlier, campier horror outing, the zombie picture known as Undead, was even bloodier than this one. The movie-makers are after bigger game here, and a subtler mixture of speculative nightmare and action film.
This intriguing premise, alas, ends as so many movies do these days, with fierce fights and bloodshed. Inevitably, the future of the planet will be settled among the handful of characters we've met, and a lot of extras with machineguns.