Daylight - Movie Reviews - Rotten Tomatoes

Daylight Reviews

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½ January 31, 2017
It's good movie to watch
December 8, 2016
Fair movie. Enough said.
½ September 3, 2016
Not a movie to watch if you reside in the tri state area. HA
½ June 19, 2016
Truck carrying chemicals explodes in the Holland Tunnel and Sylvester Stallone saves those who survived. It's your typical disaster flick for certain with a hero in place.
½ February 14, 2016
Non so perché, ma questo è uno dei film che preferisco con Stallone.
Quando lo vidi al cinema mi tenne con fiato sospeso.
Peccato che recentemente Cohen abbia perso la capacità di tenere "sull'attenti" il pubblico dei suoi film.
Super Reviewer
January 29, 2016
Good disaster film, Deserves more credit, Nice plot and very entertaining from start to finish.
January 21, 2016
This is really cool. A movie for heroes.
December 14, 2015
This is another failed film primarily because everything seems to have been modified in order to enhance Stallone's character and performance. If all changes and cuts in the original script hadn't been that evident we could have witnessed a pretty good action film. Some of the characters such as the ones played by Jo Anderson and Viggo Mortensen have been dramatically amputated, mostly in the last case, after an impeccable introduction. In this particular case, such a portrayal of a character is rendered illogical and superfluous by its hasty and unexpected disappearance. Mortensen's character could have meant a very interesting counterpoint to the one played by Sly, however, all this seems to be sacrified for the one hero's sake. Conclusion: another boring action movie full of flat types and topics...
September 27, 2015
"Daylight" is everything that you hoped it would not be. The concept is actually pretty interesting and could have become an amazing disaster film, but the acting is simply some of the worst that you will ever encounter. There came a point where I starting rooting for certain characters to die just so that I didn't have to watch them act anymore. It is just atrocious. Stallone set a poor precedence for the rest of his castmates. After watching this wooden performance, nobody would ever believe that he was once nominated for an Oscar. The acting is painful to watch (especially the Birdemic-level performance of Jay O. Sanders), but there are also some major issues with the script. Nothing spoils an intense moment like a felon on a prison transport blubbering like a baby and a woman wrestling around with an electrical wire for 20 minutes with boots on her hands. While it may seem like the campiness of the film might make it a fun watch, it takes itself too seriously to be funny. Watch if you must, but there are dozens of disaster films that I'd rather watch.
September 11, 2015
good actioner & another lost review flixter-grrrrrr
½ July 17, 2015
Standard Hollywood cliche-both the Black Guys die.
June 24, 2015
La vi en el cine, yes, voluntariamente fui... por que en no mucho haría un viaje a New York, y quería ver el mismo túnel. Y sí, lo vi, el taxi me llevó del aeropuerto a la ciudad por ese túnel.

El poder de la pantalla puede ser raro y confuso...
April 28, 2015
It's cliche but this surprisingly intense film is a fun one time watch.
½ April 7, 2015
This movie is so boring in high school I made out with a girl that was "out of my league" the entire time. It's like a scene from DieHard W/vengeance. But just one scene that goes on forever without getting anywhere. Super frustrating but it will still always have a place in my heat as the worst movie I've ever paid for. Rocky owes me $7.95
March 15, 2015
Your average hero-come-rescue movie. The score is good though.
January 21, 2015
Lo mejor que hizo Stallone en los 90's fue Cliffhanger y Cop Land esta pelìcula es una de las peores.
½ January 15, 2015
Of course, it's inevitable that big actors frequently take a dive in bad movies, and in Sylvester Stallone's case, Daylight was one of those movies that made Sly Stallone look outdated, and considering that this was made in the mid-1990's, this is a very bad sign indeed. The film itself looks quite dirty, and by that I mean it looked like one of those filthy public restrooms, only most of it is brown. The actors don't even try to give a very convincing performance, and while the acting isn't as bad as in other bad movies (which I dare not mention), it's still really terrible to the point that it's blatantly obvious that the actors weren't paid well enough. Even Sly Stallone suffers here, mainly because he fails to hide the fact that this is the kind of movie he's done several times before. While the film's more explosive scenes where decent at best, the entire film felt poorly made and incompetently handled. The one good thing about this movie is that at least it wasn't much of a disappointment, because I had fairly low expectations of this film to begin with. If you have high expectations, however, be prepared to be thoroughly disappointed.
½ October 13, 2014
Without any certainty of expectations for Daylight, I went into it simple because it was headlined by Sylvester Stallone.

I know what I like in disaster films. At the least, I hope for cheap fun out of the special effects, a focus more on the disaster than on characters, and perhaps at least one slightly compelling character. Since Sylvester Stallone easily established that I would find at least one character compelling, all that was left from there was for Daaylight to acquire an interesting disaster concept and some good visuals. As with the average disaster film, Daylight is packed with many different stock characters who are all relatively meaningless and that viewers are unlikely to find a connection to, but the fact is that there are a lot of interesting settings and situations explored in the film which make it thrilling. While the insufficient script and cheap characters make it fail to succeed on much of a human level, it does at least carry a good protagonist.
The disaster concept in Daylight is somewhat interesting. It lacks the exciting potential of a lot of other big budget disaster films, but it is of a somewhat realistic manner which is what makes it effective. Of course a lot of the ridiculous heroism and scientific accuracy is unrealistic, but viewers must be willing to suspend disbelief and rational thought to enjoy a disaster film. For me, I was easily able to do that. I was bothered by the fact that there was not so much of a consistent feeling of death hanging over the characters. The movement of the film was constantly changing between quick moving scenes depicting explosions and fires, before changing to slow paced scenes with either melodrama or slow movements through the tunnels where every character has to complete some feat which is not that impressive. All in all, the focus of the story is constantly changing and the stituations are always varying, with some being exciting and others being rather dull so as a whole the film is inconsistent. The script is poor form due to all of its one-dimensional characters and weak dialogue as well as the fact that it doesn't really have a story while instead just having a series of disastrous situations, as well as the fact that its cheap attempts at characters are really not that effective whatsoever. This is somewhat problematic because the story is a relatively medium scaled one, focusing both on the survival of its characters and the inconsistent rate of disasters occuring. So the level of humanity in the film is better than in many disaster films of the 1990's era, but it still doesn't leave much of an impact. As a whole, the entire film is a rather routine and basic exercise in disaster cinema with elements of being a thriller at the same time. The situations can get boring, and there is not much beyong the surface appeal to save that.
Daylight is pretty much as good and bad as you'd expect. It has Rob Cohen as director which means that it is not very big on narrative and is a lot more focused on visuals, but luckily enough he is able to stage some impressive stunts thanks to some good scenery and production design elements, as well as the strong cinematography and editing incorporated in. The sound effects are also strong and benefit from some firm editing. So as a whole, while Daylight may not be the most exciting disaster film, it carries its basic concept far enough with strong visual elements and a mild sense of spirit. So it isn't really a guilty pleasure type film since it takes itself seriously and mostly succeeds. And though it is far from great, it is entertaining enough to pass.
The atmosphere is pretty engaging. Although the script makes the film feel somewhat artificial, the dedication from the actors manage to convey a certain extent of fearful stress in the situation. They aren't all spot on, but the majority of them make a good effort. But also, the musical score has a really strong disaster feel to it. It is intense and grasps the dark nature of the situations which bring the themes to the surface easily.
When it comes down to the cast, most of them make a decent effort. But no matter what the Golden Raspberry awards say, Sylvester Stallone is the finest cast member in Daylight. Sylvester Stallone stands extremely confident in his role. In comparison to all the other meaningless stock characters of the film, Kit Latura is the only one who stands out. While lhis lines are generic, Sylvester Stallone seamlessly steps into the role with confidence and delivers every line with a sense of charisma which suggests he understands the material all well. He is able to use his skill for firm line delivery to give a sense of understanding to his character as well as his status as a great action hero to make him the hero that Daylight really needs. He uses his muscles to a strong extent while bringing his natural heroic archetype to the role to give it a sense of aggressively determined spirit. He has a certan level of passion in the role and seems both wise and strong which is a good combination for the character. Sylvester Stallone makes a genial presence as the lead in Daylight, and he keeps things firm and serious.
Ammy Brennerman can get annoying at times though and doesn't exactly seem as if she grasps the character fully.

So Daylight is a pretty routine disaster film. It has cheap characters and a weak script, but Sylvester Stallone leading the journey and some impressive technical elements.
½ October 10, 2014
Guilty pleasure. I love it, but it's all kinds of corny and clichéd.. haha
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