The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
A slow meander through the lives of two very different people who make a connection. Often difficult to watch because it is raw emotion and pain coming at you from all corners, it is still fascinating because of two intriguing performances.
Audiard visits a physicality that isn't necessarily female or male, but of the body, and toward the body, as in Cotillard's wide, lidded eyes when she watches him punching, thumping and bleeding in illegal bare-fisted takedown fights.
The notion of strings-free sex gets a good working over from director Jacques Audiard (A Prophet), who takes as much pride in exploring the workings of Stephanie's troubled mind as he does in digitally removing her legs.
The film achieves what all dramatic films should strive for: complete audience empathy for the main characters. I cared for these two so deeply, and the many, many moments of quiet triumph gave me rushes of joy. A beautiful triumph of precision.