Dead Europe (2012)
Dead Europe Photos
Critic Reviews for Dead Europe
Although it may lack a raw, confident force to make it truly special, 'Dead Europe' completely nails its devastating, unexpected ending.
Like the Eurozone itself, helmer Tony Krawitz's first full-length fiction feature "Dead Europe" struggles to cohere into a convincing whole, despite sections of commanding authority.
Director Tony Krawitz certainly can't be faulted for his ambition, yet, despite some magnificent technical credits, his cinematic adaptation of this controversial book ends up muddled and misguided.
Even if the plot takes too long to come together, this film has a darkly foreboding tone that's thoroughly mesmerising, drawing us into its mysteries while touching on issues of race, religion and sexuality.
Audience Reviews for Dead Europe
My last film for MIFF was definitly one of the more interesting ones. Adapted from Christos Tsiolkas's novel, It follows Issac (Ewan Leslie) an Australian son of Greek Parents, works as a skilled photographer and has his own gallery. While he's planning to visit Greece himself this conflicts with his family's dark past. what follows is Issac's journey to discovery what they've been hiding and the meaning of a mysterious curse thats been linked to the death of his late father. I do have some problems when it comes to undertanding the themes of Tsiolkas' fictional story, thus in the film's plot I failed to emotionally connect yet sympathise with many of the film's major characters. I have no criticisms however to Tony Krawitz's Direction and the cinematography of the film; making a very pretty cultural portrait of Greece and other countries. I also have no criticisms to the acting, it was well casted and supurbly acted. Kodi Smit-McPhee's character was probably the only one who you could sympathise with because of how well his character was written and acted. overall I thought Dead Europe was very good, but I can't say I really liked it.
Dead Europe Quotes
There are no approved quotes yet for this movie.