The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Wan and Whannell have a carnivalesque sense of fun and a sure instinct for recycling classic horror tropes, but their characters are so flat and their plotting so listless that this low-budget feature fails to generate much suspense.
There's something quaintly charming about the filmmakers' unabashed affection for their inspirational source material, although the sense of over-familiarity means that none of it is in the least bit scary.
This is Days Of Our Lives for the living dead - possibly the only film in history to prompt the reaction, 'That would have been worse, if not for Donnie Wahlberg's acting talent!' and far more predictable than you'd expect from the director of Saw.
"Who's the dummy now?" she rasps. Well, you are if you waste your hard-earned on this tepid retread of Dickie Attenborough's 1978 Magic, a curious stumble from Leigh Whannell and James Wan after the success of their Saw gore-fests.
there's something about its overblown stormy-night atmospherics and reliably dismal dialogue that's bad in almost a fun way. I'd rather laugh through this kind of harmless, rickety schlock, any day, than grimace through Saw III.