The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
What starts as a charming anachronism %u2014 pens, paper and the postal service in an impersonal digital age %u2014 becomes tedious as Hallstrom is reduced to interminable, repetitive montages covering the many months that the pair are apart.
Dear John carefully distills selected elements of human experience and reduces them to a sweet and digestible syrup. It may not be strong medicine, but it delivers an effective, pleasing dose of pure sentiment and vicarious heartache.
Part of the problem is Channing Tatum, an actor with the strengths and faults of early Sylvester Stallone: He can be a charming palooka, as in Fighting and A Guide To Recognizing Your Saints, or a block of wood, albeit one carved by God's hands.
Mostly, the movie provides ample opportunity to admire Channing Tatum's broad shoulders and Amanda Seyfried's incandescent smile, but the narrative device that keeps them connected while geographically apart doesn't work especially well onscreen.