Opening

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Death Proof Reviews

Page 1 of 3
Kevin Carr
7M Pictures

By the end of the film, Tarantino delivers on the action with a car chase that will get anyone's engine revving.

Full Review Source: 7M Pictures | Original Score: 3/5

March 24, 2014
Rob Humanick
Projection Booth

Death Proof doesn't simply comment on its genre inspirations - it adds to their very legacy.

Full Review Source: Projection Booth

January 20, 2013
Ali Gray
TheShiznit.co.uk

As an anomaly, a curio, even as half a movie, it's a winner. As a stand-alone feature, it struggles to stand up to close scrutiny.

Full Review Source: TheShiznit.co.uk | Original Score: 3/5

November 3, 2012
Charles Cassady
Common Sense Media

Tarantino's very bloody half of Grindhouse.

Full Review Source: Common Sense Media | Original Score: 2/5

December 14, 2010
Jeffrey M. Anderson
Combustible Celluloid

Freed from the constraints of the Grindhouse package, Death Proof can now spread out, find its proper rhythms, and emerge as another excellent Tarantino classic.

Full Review Source: Combustible Celluloid

August 16, 2010
Pablo Villaca
Cinema em Cena

A comprovação de que, nas mãos de um diretor que conhece a fundo a técnica e a história do Cinema, até mesmo um exercício de estilo sem grandes ambições pode representar uma experiência apaixonante para quem ama e respeita a Sétima Arte.

Full Review Source: Cinema em Cena | Original Score: 4/5

July 17, 2010
Fernando F. Croce
CinePassion

Clearly the work of somebody who has ingested Carol J. Clover's Men, Women, and Chainsaws, yet it is also more

Full Review Source: CinePassion

August 27, 2009
Dragan Antulov
Index.hr

"raja" koja voli Tarantina %u0107e imati itekako razloga da mu oprosti ovaj eksperiment.

Full Review Source: Index.hr | Original Score: 7/10

April 10, 2008
Rob Gonsalves
eFilmCritic.com

Feels much longer than it is.

Full Review Source: eFilmCritic.com | Original Score: 3/5

February 14, 2008
Paul Byrnes
Sydney Morning Herald

Death Proof is superbly made. There's a terrible tension watching these beautiful and spirited young women getting too close to the flame, followed by enormous relief when the mood changes in the second story.

Full Review Source: Sydney Morning Herald | Original Score: 3.5/4

November 17, 2007
Jeffrey Chen
Window to the Movies

A well-controlled buildup of expectations, suspense, and character contrast.

Full Review Source: Window to the Movies | Original Score: 9/10

November 5, 2007
Urban Cinefile Critics
Urban Cinefile

The problem for Tarantino in Death Proof is that the girl talk that occupies so much of the running time is anything but true to the culture 50 years ago. The setting is contempo, but the movie style is period

Full Review Source: Urban Cinefile

October 27, 2007
Philip French
Observer [UK]

A tedious, meaninglessly anachronistic project.

Full Review Source: Observer [UK]

October 6, 2007
Kevin N. Laforest
Montreal Film Journal

I've rarely seen a filmmaker, in current Hollywood at least, expose his sexual and sadistic kinks on screen with such shameless glee.

Full Review Source: Montreal Film Journal | Original Score: 4/4

October 6, 2007
Kam Williams
EURWeb

Deliberately designed to look like a low-grade B-flick from the Fifties, this slasher adventure from Quentin Tarantino is a guaranteed treat for that rare film fan nostalgic about the worst era in cinema.

Full Review Source: EURWeb | Original Score: 3/4

September 29, 2007
Rich Cline
Shadows on the Wall

While playing by the rules--scantily clad women, sudden brutality, straightforward narrative--he also gleefully subverts the genre to keep us thoroughly entertained.

Full Review Source: Shadows on the Wall | Original Score: 4/5

September 21, 2007
Matthew Turner
ViewLondon

Tarantino has a blast with this affectionate nod to '70s exploitation flicks, but the dialogue isn't as good as it should have been.

Full Review Source: ViewLondon | Original Score: 4/5

September 21, 2007
Derek Malcolm
This is London

The dialogue with which Tarantino is usually adept is disastrously clunky, the filmmaking largely without flair and even the apeing of the smears and scratches of the schlock originals seems ridiculous.

Full Review Source: This is London | Original Score: 1/5

September 21, 2007
Anthony Quinn
thelondonpaper

Next to Kill Bill, this is only 50 per cent proof, but the last car chase will have you hanging on for dear life.

Full Review Source: thelondonpaper | Original Score: 3/5

September 21, 2007
Anthony Quinn
Independent

With its scratchy print, jerky editing and retro title sequence, Quentin Tarantino's fifth film bends over backwards to establish its Seventies sexploitation-flick credentials.

Full Review Source: Independent | Original Score: 3/5

September 21, 2007
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