The Debut (2000) - Rotten Tomatoes

The Debut (2000)

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Critic Consensus: No consensus yet.

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Movie Info

Ben Mercado is a talented high school senior who enrolls in a prestigious art school in order to realize his dreams of becoming an animator. However, his plans come into conflict with those of his immigrant father Roland, a postal worker intent on seeing Ben become a doctor. Their long-simmering feud (for Ben a struggle to fit into American life and reject his Filipino heritage; and for Roland, a quest to give his children a better life than he had) threatens to boil over and ruin the elaborate 18th birthday party of Ben's sister Rose. However, it is at the party where everything starts to change for Ben - his sense of misplaced identity, his choice of friends, even the way he regards his father. Most importantly, he finds a confidante (and perhaps a love interest) in Rose's best friend Annabelle. However, Ben isn't out of the woods by any means. The arrival of the Mercado family's browbeating patriarch exacerbates the tensions between father and son, while the prospect of ditching the relatives to "make it" with a blonde-haired lasse at a kegger across town tugs at Ben throughout the evening. Worse, his budding romance with Annabelle is complicated by the presence at Rose's party of hot-headed Augusto, a former boyhood friend-turned gangsta wannabe and Annabelle's ex. With all these factors tearing at Ben, something (or someone) is bound to explode at Rose's party ...

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Cast

Dante Basco
as Ben Mercado
Eddie Garcia
as Lolo Carlos
Tirso Cruz III
as Roland Mercado
Darion Basco
as Augusto
Derek Basco
as Edwin Mercado
Bernadette Balagtas
as Rose Mercado
Joy Bisco
as Annabell
Dion Basco
as Rommel
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Critic Reviews for The Debut

All Critics (23) | Top Critics (11)

Director Gene Cajayon, with co-writer John Manal Castro and a charming cast, continually subverts expectations.

Full Review… | November 15, 2002
L.A. Weekly
Top Critic

Mostly the situations, albeit compressed, ring true; the characters are admirably multi-dimensional, and there are welcome doses of humor that compensate for any contrivances.

November 15, 2002
Hollywood Reporter
Top Critic

An earnest and predictable little indie.

October 18, 2002
New York Post
Top Critic

A neat blend of well-drawn major characters and drama, music, dance, romance and humor that generates considerable charm and achieves a heartwarming resolution of its generational conflict.

Full Review… | October 17, 2002
New York Times
Top Critic

The film has a sweet low-budget quality that sometimes slips into TV-movie schmaltz.

Full Review… | October 15, 2002
Village Voice
Top Critic

Celebrates community and family, and does so in such a warm-hearted way that its formulaic nature is easily forgiven.

August 16, 2002
Seattle Times
Top Critic

Audience Reviews for The Debut

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George Nguyen
George Nguyen
½

[b]Plot[/b]: Medium [b]Entertainment[/b]: Medium-High [b]Originality[/b]: Medium-Low [b]Replay[/b] [b]Value[/b]: Low [b]Acting[/b]: Medium [b]Memorable[/b]: Low [list][*]Predictable. [*]Fun to watch. [*]Recommendation: Rent if you aren't looking for something thought-provoking or original. [*]Grade: C [/list]

Casey Bruno
Casey Bruno

Movie Review: "American Adobo", "The Debut", "Better Luck Tomorrow", "Charlotte Sometimes" This is my ratings of some ASIAN/AMERICAN films that I watched. I did one on "Charlotte Sometimes" and reposted it here again. [color=pink]"American Adobo" (2002)[/color] [color=pink][img]http://images.rottentomatoes.com/images/movie/coverv/70/207470.jpg[/img]Hmmm... where do I begin... lets see... The cast probably wanted to do this movie because of the possible American Market it would be released to. Unfortunately, they should have pushed for a better script and better director. Not to say that the director is not good... but to be commercially successful in America, you need to have a director AND A WRITER with the same sense of structure, character arch and theme that most audiences can identify with. The lack of structure (as a writer) really got me. It was horrible. The characters were stereotypes of the Filipinos I grew up with. And the writing style and lack of subplot dripped with exposition throughout the whole movie. Did someone not mention to the writer that Voice Overs are KINDA bad? And unless you can write like Alan Ball, your VOICE OVERS better rock! This movie was a poor attempt to cross over to the American public. And if American Filipinos enjoyed the film, hmmm... they need to get out more cause laughing at yourself is one thing (and it won't get you far as a filmmaker), identifying with characters in a universal appeal is much better filmmaking. [/color] ********************** [color=yellow]"The Debut" (2002)[/color] [color=yellow][img]http://images.rottentomatoes.com/images/movie/coverv/69/211669.jpg[/img]Decent film. But still, do Filipino filmmakers think that the american audience won't get it? There was so many over the top scenes that push the tradition of Filipino's on your plate like you wouldn't believe... but you don't have to. It's about story. From story and characters comes the traditions and cultures. You don't have to draw attention to it, just have your Filipino/American characters convey everything through their simple dialogue and subtle actions. [/color] [color=yellow]One scene in particular (if you're F.O.B. you'll get it) is when the lead character has to 'bless' the elders. And he was acting like he didn't 'get it'. And was awkward doing it. COME ON... You know what to do... you're 17 years old... you've been there done that... YOU DON'T HAVE TO LIKE IT... but don't act like you've never been aware of such a thing. The writer/director at that point proved he was making this Filipino lead an AMERICAN oblivious to culture yet embarassed of his own culture. How stupid is that?[/color] [color=yellow]A few characters were on the "O.A" side but most of the characters were good. Altough the film got a little tiring since the party (The Debut) seemed to last FOREVER... but it was just one night. Yikes. [/color] [color=yellow]This is definately a lesson on how NOT to make a Filipino/American movie. [/color] [color=yellow]They were on the right track but missed their mark, and if this is a new standard from ASIAN/American movies, everything after should easily raise the standard. Because this was far from compelling in movie making or story telling.[/color] ********************** [color=magenta]"Better Luck Tomorrow" (2003)[/color] [color=magenta][img]http://images.rottentomatoes.com/images/movie/coverv/77/211877.jpg[/img]Okay - the filmmakers got it right with this one. A pretty much full Asian cast based on a true story. But compelling, deep, flawed and wonderful characters. Thanks to Justin Lin (producer/director)![/color] [color=magenta]The characters were skillfully crafted, the conflict was real, the absurdity of straight 'A' students getting involved with a situation like this was out there yet interesting and completely acceptable in this world... And what was so bad with the ending? NOTHING. It seemed like a blatant tribute to "The Graduate"... and that's a great movie.[/color] [color=magenta]This movie was inspirational. It was how movies from asian filmmakers using asian actors should be made. It completely held the universal emotions that any 'American film' would have and was not over-the-top, was not overly expositional and was NOT overly acted.[/color] [color=magenta]GO RENT IT NOW... [/color] ********************** [color=cyan]"Charlotte Sometimes" (2003)[/color] [color=cyan][img]http://images.rottentomatoes.com/images/movie/coverv/35/212635_thumb.jpg[/img] There's a good movie that you should rent to learn about LIGHTING, MOOD, CHARACTER and STORY TELLING [b]WITHOUT[/b] too much exposition and dialogue.[/color] [color=cyan]It's called, "CHARLOTTE SOMETIMES" (2003)[/color] [color=cyan]After watching it I thought to myself, "Wow... finally a movie that doesn't have to explain every single thing to get the point across. Finally, a movie with scenes that were NOT over written" - as many of the scenes on the VPL are.[/color] [color=cyan]Good movie. Really good - for a small tiny indie film by nobody. It's dark, edgy, deep, conflicted and quiet. The director let the camera tell the story. Not much dialogue, lingering scenes, deep emotion and scarred characters. The women were beautiful and it was pretty much a full asian cast shot in Silverlake, CA.[/color] [color=cyan]Don't be sleepy when you watch this movie. But watch it for a good lesson in direction and character's actions tell more about who they are instead of words.[/color] [url="http://www.suntimes.com/ebert/ebert_reviews/2003/05/050201.html"][size=4][color=cyan]Ebert's Review[/color][/size][/url]

Glenn Magas
Glenn Magas

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