The Deep End Reviews
Tilda Swinton is the ace here (vaguely has sustained her indie-queen ethereality into a more mainstream scope since then), magnifying every impression into an intact personification of a role model mother of three children, who struggles to cover a murder case which she thinks has executed by her elder gay son (which is barely the truth as audience has witnessed the entire occurrence), after that developing a mutual affinity with a young gay blackmailer, things start to become more engrossing. Goran Visnjic is equally empathetic and even a tad overshadowing Ms. Swinton during the final confrontation (a poignant moment arrives when their lips are so close to each other near the end of the film).
It never goes awry with the things-getting-worse-until-the-very-end mode, at first one might sense a pro-WE NEED TO TALK ABOUT KEVIN (2011) ominous trauma was awaiting us, congenially enough it is not about the embittering mother-son's love/hate perplexity. This indie gem from director duo Scott McGehee & David Siegel (whose later feature BEE SEASON 2005 is a rueful misfire, a 5/10 in my rating, while their latest WHAT MAISIE KNEW starring my diva Julianne Moore is on the shelf this year) needs more credit for its adroit exposition, splendidly heart-rending impetus and the celeste tableau.
On passe sur la réalisation et la musique, tout aussi mauvaises.
Les acteurs font une assez bonne impression pendant 1h20, mais la fin du film montre leurs limites.
Passez votre chemin.