The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Take away a couple of neatly staged action sequences and you're left with a callously measured slab of US jingoism that deals with the most horrific human tragedies in the most lunk-headed and insulting way possible.
Déjà Vu is well worth seeing for its visual brio, particularly the boom-crash opera of the ferry explosion, and a chase scene in which Washington is dodging downtown traffic on two temporal planes simultaneously.
Deja Vu takes you on a wonderfully twisting and turning journey that often will leave you wondering and perhaps confused -- but ultimately leaves you with a satisfying and totally logical explanation when the credits role.
Déjà Vu impresses with both the complexity of its storyline and its willingness to allow things to develop at their own pace without interjecting a lot of needless action scenes into the early proceedings to keep viewers attentive.
Cinema's natural felicities for time and action have seldom felt as beautifully dovetailed. And even when the plot in Bill Marsilii and Terry Rossio's script begins to push plausibility, it stays grounded in Washington's emotional drive.