To say that Derrida has had a deep-seated, almost insidious impact on my life is no joke. He's always lurking in the back of my mind, a kind of undercover commentator, peeping out of my subconscious from beneath a grayish colored canvas tarp, waiting to pop up and insert a comment or two in any given situation. He's like a general contractor overseeing the construction project of my house-life, with me up on the scaffold, counting on him to steady it while I build to higher heights. I look down suddenly, and wouldn't you know it: Instead of supporting the scaffold, he's lighting his pipe. I notice nothing but the dark bowl of that pipe. Vertigo sets in. The bowl expands before me, a black and bottomless pit. Is this the abyss. The scaffold rumbles and begins to shake apart. Derrida puffs thoughtfully at his pipe. I fall headlong into blackness . . . Nah, just kidding. Jacques Derrida was cutting-edge influential back when I was in school, and he continues to be taught widely in college classes right now. And it's not just philosophy courses, either. Walk into a college bookstore and stroll the aisles. You can see him being taught in English, history, political science, education classes -- and on and on. An amazing man and an interesting portrait. His comments on biography/autobiography will be with me for a while. At times, the personality that comes across in this film reminds me of the personality displayed by Bob Dylan when he was constantly being hounded to "explain" himself, early on in his career. His take on "forgiveness" tied my brain in knots. But that's Derrida. He's one of the great contemporary game players, one of the best tie-your-brain-in-knots thinkers worth the torture of grappling with. Note: If you dig into Derrida, remember that he evolves, just like Dylan. He was no spring chicken, either, when he passed away, so like Bob, he'd been evolving for many years.