Mary Poppins Returns
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All Critics (7)
| Top Critics (1)
| Fresh (2)
| Rotten (5)
| DVD (4)
... wants to be forties noir and gets lost somewhere between triple crosses.
The movie has a handful of cool moments - punctuated by long and familiar bouts of B-movie machinations, to say nothing of the annoyingly stutter-step narration.
Closer to Flashback than to Freeway, the Kiefer Sutherland vehicle Desert Saints is actually closer to Montana than either.
I watched this simply because I'm a fan of Kiefer Sutherland, especially in his bad ass roles. While for fans of his the film offers some cool moments, it fails overall. The biggest problem is the lead actress, Melora Walters, who is horrendous. Think of the female version of Mark Wahlberg in The Happening. It's that bad. The plot was also largely nonsensical, with very poorly written dialogue that only Sutherland was able to deliver with any believability. The police also have a bad habit of showing up randomly despite having no apparent actionable intelligence, they just know things.
Kiefer Sutherland, the good guy of TV's 24, goes bad in this dusty thriller in which he plays university-educated professional assassin Arthur Banks working his way towards one last hit, employing a help-me-or-I'll-shoot-you kind of charm. His modus operandi involves picking up a woman and forcing her into the accomplice position, but like Jack Bauer in 24, I'm meant to like for him, ignoring his blooded occupation, his lack of conversation and a disinclination to reveal his pearly whites.
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