The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
As a thriller, this is mechanical and predictable - barely one-step away from cookie-cutter formulaic - and yet the film actually works up a decent amount of genuine feeling, thanks to the cast of characters.
An baleis stin akri ta almata tis plokis kai tis trypoyles poy kseprobaloyn deila edo ki ekei, leitoyrgei mia hara san kalogyalismeno efibiko thriler, poy toylahiston kanei tin prospatheia gia na se koroidepsei poylontas hip moyri, se antithesi me alla po
Caruso's no Hitchcock, and Disturbia is not as original, suspense-filled or well-acted as the James Stewart-Grace Kelly masterpiece, but for its predominantly male, teenage audience it delivers enough shocks to be entertaining.
The teen support cast are vacuous and director DJ Caruso strays a little too far into Grand Guignol territory for the over-extended climax, but Disturbia's otherwise bang on the money: $80m at the US box-office was no fluke.
DJ Caruso's neat little thriller won't win any awards for originality (Hitch will be spinning six feet under) but it does work surprisingly well bearing in mind you can almost second guess every plot twist.