The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Offsetting the chilly voyeurism is a viable teen romance and an appealing sense of humor. Though there are occasional lapses in logic, Disturbia is consistently suspenseful and entertainingly disturbing.
Instead of manufacturing elaborate, ridiculous plot twists or imposing overwrought psychological melodrama on a basically absurd premise [director] Caruso and the screenwriters opt for efficient, clever B-movie execution.
Has nowhere near the conceptual sophistication of Rear Window, where the protagonist's absorption in what he's watching mirrors the viewer's. The problem with Disturbia is that for most of the film you'll wish you weren't watching at all.
OK, so Rear Window was better plotted and more richly apportioned than this update. And so what if you can see every plot twist bearing down like a rush-hour commuter express? Disturbia still boasts a scrappy charm.
Part of the filmmakers' point is that any old nutcase might be lurking behind the drawn curtains of the house next to you in just such an anonymous locale. Still makes for a mighty limiting, boring place to set a movie, though.
A modest but squirmingly fun suspenser that brings Alfred Hitchcock's Rear Window into the era of vidcams and cell phones, serving up hearty, youth-skewing portions of PG-13 violence and bikini-bait along the way.