Se sei vivo spara (Django Kill - If You Live, Shoot!) - Movie Reviews - Rotten Tomatoes

Se sei vivo spara (Django Kill - If You Live, Shoot!) Reviews

Page 1 of 4
January 27, 2018
i liked this film, i found it to be totally confusing but still fun
November 28, 2016
After he's betrayed during a gold robbery and left for dead, Django must seek revenge on those who wronged him. This film actually had nothing to do with the original 1966 Franco Nero film, but merely had the foreign release of the film add Django to the title and renamed the main character. Tomas Milian is good in the lead as Django, and the action was decent enough to hold my interest, although there isn't really enough to distinguish this film from dozens of other spaghetti westerns, with the exception of Milian, who's quite good.
November 22, 2016
Surreal is a common word used to describe this film, and that it is. One of the strangest spaghetti westerns ever made which I enjoyed much more on my second viewing.
½ August 19, 2016
Bizarre and strange. While it certainly has a very weird atmospheric quality and a decent number of memorable scenes, I found it too slow to really engage me that much. It's sort of the "anti-Dollars" movie in that the protagonist doesn't want the money for a change. It's also not a revenge movie, even though the beginning makes you think that. Also features a torture scene involving an iguana. Worth a look if you're interested.
August 8, 2016
Django Kill... If You Live, Shoot! (1967) C-100m. ? 1/2 D: Giulio Questi. Tomás Milian, Roberto Camardiel, Piero Lulli. What can really be said about a film whose major concern is scalping offbeat bandits who "deserve it" while inching towards graphic death of sadistic Nazi-like villain who lecturers his pet parrot? Bizarre, to say the least---and has mounted substantial cult following over the decades---. . . but pretentiousness and needless amounts of gore kill it. But you haven't lived until you've heard this movie's music score. Despite the title, film has absolutely nothing to do with the DJANGO series starring Franco Nero. Other prints run to 177m. Techniscope.
June 13, 2015
This is no DJANGO, but there are enough odd flourishes to keep it interesting.
½ May 23, 2015
A bold, ruthless western that revels in its own ultra-violence. The story doesn't quite hang well, but 'Django Kill' makes sure the bodies do. 7/10.
½ February 17, 2015
Not a representative spaghetti western,i think nevertheless that it's one of the worst i've ever seen...There are plenty of others that worth two hours,try to avoid this one..
½ November 3, 2014
A truly bizarre film experience, not so much a Django sequel save for the basic set-up, but still very watchable and filled with enough imagery and symbolism that I'm sure it'll hold up to repeated viewings.

½ April 29, 2013
A farcical, badly dubbed piece of exploitation. There are parts which are so stupid they are funny but at the near two hour runtime it gets quite tedious.
½ December 31, 2012
Perus kostowesterniä lupaileva alku muuttuu äkkiä varsin oudoksi tripiksi.
Super Reviewer
½ December 3, 2012
A half-breed bandit is betrayed by his fellows and left for dead in a shallow grave; two Indians rescue him and make gold bullets for him to use, and he rides into a wicked town looking for revenge and stolen gold. This offbeat Spaghetti Western has lots of strange touches, such as homosexual cowboys and drunk parrots, and is oddly compelling, playing out like a mixture of FISTFUL OF DOLLARS and DEAD MAN. It has nothing to do with the Django series.
½ October 25, 2012
Offbeat, But Not As Surreal As Others Will Have You Believe--Too loosely written to be compelling!!
½ August 15, 2012
Django Kill is one bizarre film. It's got this disturbing surrealistic vibe stemming from the haunting score and the unnerving imagery. It's a unique spaghetti western in that sense, but it may not even be considered as such. There isn't much action for hardcore fans to enjoy, so the film feels much more like an art house film with a western setting rather than being any part of the western genre. This strange vibe may easily put off some or catch them off guard, but mostly, it's hugely intriguing. There's a great sense of terror, tension, and bizarre confusion that, though disturbing, is still interesting. This is easily brought about by the vicious gore and violence and the disorienting editing. Regarding its controversial reputation, the violence actually isn't the worst you'll ever see but it is gruesome at times just not as bad as others make it out to be. Overall, Django Kill isn't much of a spaghetti western but it is a fairly good art house film.
June 28, 2012
Words can't describe how wonderful this is.
March 11, 2012
Bonkers but utterly brilliant. The co-opting of the Django name to cash in on the success of Corbucci's film means that this is classed as a spaghetti western but, believe me, it's unlike any spaghetti western (or any other film for that matter) that you've ever seen. The story is too complicated that to even embark on trying to describe it would be the height of foolishness. Most of the action takes place in a town dubbed "The Unhappy Place" populated by psychopaths - picture Coalville but on the edge of a desert. There's a gang of gay bandits, led by a chap called Zorro who gets off on 1) seeing his muchachos prancing around in their black uniforms, and 2) torturing people with lizards. And he's got a sarcastic, whiskey-drinking parrot. Django (brilliantly underplayed by Tomas Milian) is aided and abeted by two outcast Indians (one of whom gets scalped by the redneck townspeople) as he tries to recover the gold that's been stolen from him. He also manages to fit in some rumpy-pumpy with a madwoman in an attic. A surreal and extremely bloody tale of betrayal and revenge. You really should watch it.
½ July 6, 2011
This is the most infamous of the Django-in-name-only films. Django Kill can best be described as a spaghetti western on acid. Not quite as surreal as Jodorowsky's El Topo, but it definitely comes in second. Django Kill's psychedelic attributes are most prevalent in both the story and in the experimental editing of the flashbacks. It's not surprising that the writer/editor, Franco Arcalli, went on to work on such amazing films, like The Conformist, Last Tango in Paris and Once Upon a Time in America. Some of Django Kill's weirder elements include a town made up of people who could easily fit in a David Lynch movie, a gang of homosexual muchachos and two mystic indians with the power to revive the dead.

The lead character know only as "The Stranger" is played by youthful spaghetti favorite Tomas Milian. A gang and the Stranger rob a stagecoach of its gold. The gold will become the death of everybody that seeks its possession. After the heist, the Stranger is double crossed, shot and left for dead. The two indian men arrive on the scene and help bring the Stranger back to life. The indians take what gold that was left behind and melt it into bullets for the Stranger. They give him the bullets in exchange of his services as a guide. From this point on he, like the indians, no longer has a desire for gold. It's as if he was reborn and purged of his former greedy nature. Most everyone else fights and dies for the gold. Some even die from by the gold itself. A few get killed via the gold bullets and one from a shower of molten gold. In all cases, the lust for gold is their undoing.

Django Kill does not shy away from the brutality in each of these deaths. In one scene, a man is being operated on after being shot multiple times. The doctor extracts a gold bullet and the surrounding people proceed to tear the guy apart looking for more gold. In another scene, an indian is scalped in gruesome detail. The film ends with a villain getting a load of molten gold poured over his face. When all added up, Django Kill is ranked as one of the most savagely violent spaghetti westerns ever made.

All of this psychedelic horror is great, but doesn't make up for Django Kill's weak direction by Giulio Questi. His art house western concept is inspired, just poorly executed. Django Kill could have been something special. What you get is an above average spaghetti western.
½ June 12, 2011
Pretty odd spaghetti western stands out from the conventions of the genre with some offbeat gothic elements and particularly graphic violence. It's not without its flaws, including a lack of visual flair at times, and Ivan Vandor's Morricone-knock-off score gets pretty repetitive. But a number of outrageous moments make it a cult classic and one of the most memorable of its genre.
October 10, 2010
At least 31 unofficial sequels to Django exist. This is one of them. With this being an unofficial sequel to a film that wasn't all that amazing in the first place, you should know what to expect from this: a trashy spaghetti western. It's sort of enjoyable, but mostly because it's unintentionally funny. Some shots are incredibly nice due to them being over-exposed, but I get the impression this wasn't intentional. It's watchable, but it's bad.

Personal enjoyment: 4/10
Actual quality as a film: 4/10
Super Reviewer
September 26, 2010
First of all, this is not a Django movie, second, this is a movie that will split opinions in a strong way. Gay fascist cowboys, graphic scenes of torture and depravity, a weird psycho sexual vibe going on. A main character that spends more time captured than doing any killing, the most corrupt and vile euro-western town that ever existed. As if Luis Buñuel had directed a western.

The direction is sloppy in some parts, specially the action sequences, but the film truly has an identity of it's own. Even if you hate this you can't deny there's no other western like this. Is worth check just so you can see it for yourself, but again, don't expect a regular spaghetti western, or a regular movie for that matter.
Page 1 of 4