Dog Pound (2010)
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Critic Reviews for Dog Pound
Without a strong political point (unlike its source material), "Dog Pound" feels hollow and hopeless.
The movie never loses its miserable outlook; Chapiron practically revels in the ever-present dreariness.
Overheated melodrama of inmates at a juvenile detention facility hits all the prison-movie clichés.
Audience Reviews for Dog Pound
Hot bowl of shit coming right up. Three very different young men, with different background, and different crimes committed are the new guys in a juvenile hall correctional facility. There is a strange hierarchy when kids can earn their way to a better life and groups police themselves. Life is made very hard for the new inmates. "We have a system here." "Fuck your system." Kim Chapiron, director of Smart Ass and Sheitan, delivers Dog Pound. The storyline for this picture is just okay and a bit cliché. The characters were not particularly interesting but the settings and execution was unique. The acting was mediocre and the cast includes Adam Butcher, Shane Kippel, and Dewshane Willaims. "I need to talk to my mother." This was recommended to me by Netflix so I added it to my queue. This was fairly cliché with your expected male bonding, fighting, and rape sequences. I felt this was kind of blah and not really worth your time. "Make your stay pleasant here." Grade: C-
A well-meaning but ultimately disappointing and hollow take on a juvenile center focused around the lives of three boys recently put into the system, and what they experience during their time there. For the first half of the film, it is surprisingly gripping and realistically filmed and plotted. However, in the second half of the movie it veers left into "melodrama" territory, where you hardly start to believe anything that is happening and the story takes its lenses off of the boys in the facility and instead makes a hail-mary middle-finger attempt at the correctional officers. The acting is pretty good, about what you would expect for an indie film. In the end though, there are just too many scenes that feel fake and forced, not to mention pretty predictable, and the film never seems to decide what it wants to be truly about anyways.
While the movie is certainly made up of familiar parts, there's a little Shawshank Redemption, Bad Boys (Sean Penn movie), and pretty much every 'jail' trope in existence, this film is a pretty damn good movie. It has good writing and a damn good cast. I don't think it manages to set itself apart from other films of this ilk, but it is more than solid. Thankfully the movie isn't AS serious as some of its contemporaries as it sees this group of four boys befriend each other and how their friendship makes life in this institution a little easier. If there IS a problem with this is that, out of nowhere, these 4 boys are friends. Butch, Davis, and Angel all come into the institution on the same day, but it wasn't implied that they were friends. So they start off their time in this institution having nothing to do with the other. Then there's this sequence where three of them end up in solitary for different reasons. After they get out of solitary they're, magically, friends. There was like an important chunk of the movie missing, because there was nothing that would lead you to believe that they've become friends, well other than the movie telling you they are. That was definitely a problem to me, because this is the most important element of the film...this friendship between these kids. As mentioned, the film is sort of mired in formula and I do think that some of the events in the film were probably too 'tragic' for their own good. I also liked the way the film was shot, I think it gave it a credible and more realistic look. I don't wanna see a documentary style, but more realistic than your typical movie. Not much else to say, a movie that's showered in formula, still damn good with some great performances and a believable look at these kids' lives and how the institution helps them become closer to each other.
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