The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Dogtooth is one of the funniest films of the past 12 months, an unforgettable social-satire, a devious little test of endurance for brave movie-lovers and the best argument against home-schooling since The Jonas Brothers.
Cinephiles (have) reacted to Lanthimos' skewed vision in much the same way as the confined children at the heart of the story: through the inquisitive, excited eye of someone catching a glimpse of a new worldview for the first time.
A litmus test for not just how much de-glamorized sex and violence you can handle but whether or not you want to be assaulted by a sea of nothingness that will stay with you for days. Sitting in stunned silence seems like an appropriate reaction.
The most original, challenging, and perverse film of the year so far, Giorgos Lanthimos's artfully rigorous treatise on human conditioning can be viewed as absurdist horror or the cruelest of comedies.
Riding the perverse line between bizarre, awkward and darkly funny, this award-winning film follows the strange antics of three siblings brought up by their misguided parents in complete isolation from the rest of the world.
This pastel-colored portrait of disaster capitalism was made long before the Greek economic crisis, and that's something of a relief: Straight parable could never feel as urgent and unexpectedly moving.