The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Along with his later 8 1/2, La Dolce Vita is regarded as one of acclaimed Italian director Federico Fellini's best-loved and most influential films. The '60s-set tale of one man's struggle with the so-called "sweet life" stars Marcello Mastroi
Mágico e inesquecível, representa não apenas um fascinante estudo de personagem, mas também um mergulho dilacerante na fragilidade humana. E Ekberg tornou-se, para sempre, uma das maiores personificações de sensualidade oferecidas pelo Cinema.
Perhaps many spectators will squirm at the three-hour length of the film or of some of its sequences (though director Federico Fellini cut some 30 minutes from his final print), yet others will never notice they've sat that long.
After what we've seen of decadence during the past three decades or so, La Dolce Vita now seems tame, but people wasting time in nightclubs, dancing in the fountains of Rome, and just generally hanging out seemed a bit of a shock in 1960.
There are perhaps a couple of party scenes too many, and the peripheral characters can be unconvincing, but the stylish cinematography and Fellini's bizarre, extravagant visuals are absolutely riveting.
Made at the peak of Fellini's career, La Dolce Vita provided the first look into Rome's decadent cafe society, boasting superlative performances from Marcello Mastroianni, Anouk Aimee, Anita Ekberg, and others.