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View All Don't Be Afraid of the Dark News
All Critics (6)
| Fresh (4)
| Rotten (2)
| DVD (2)
Certainly inspirational and occasionally haunting, with great effects, Don't Be Afraid of the Dark is also a bit overlong and padded.
The husband's hostility seems to encourage disaster, and the depiction of the couple's relationship offers something of a preview of what Stanley Kubrick would do with Jack Nicholson and Shelley Duvall in the early part of 'The Shining.'
If you were a child and saw it for the first time on television some four decades ago, it might have seemed pretty scary.
Sticks to the familiar but he does it in such a way that it's still extremely creepy, a little bit campy and, at times, quite a lot of fun.
That ending would have been enough to send little ones to bed with nightmares for weeks!
Don't Be Afraid of the Dark is one of the finest haunted house films in the genre. For a made for TV affair, this is a fine example of using atmosphere to create tension on-screen. The cast here is wonderful, and for its short run time, the film is truly an impressive piece of cinema that though might seem a bit dated, is still a terrifying horror experience that will delight genre fans looking for a well crafted haunted house horror tale. This is one of those rare films that actually can terrify a viewer and is among the finest pictures in the genre. With a great performance by Kim Darby, this made for TV film is one of those forgotten classics that deserves to be rediscovered by a wider audience. The tense atmosphere adds to the film enjoyment and it serves up bone chilling terror the way a horror film is supposed to. The supernatural elements here work well to keep you on the edge of your seat, and the great performances from its cast elevate this film significantly. If you love haunted house films, then seek this one out as this is among the classics that defined the genre. The film's story is very interesting and well layered to create a unique experience. Haunted house films are often hard to pull off, but director John Newland crafts a fine picture that is chilling from start to finish. With a clear understanding of pulling off effective terror, Newland delivers a supernatural tour de force that ranks up there with some of the finest horror films ever made.
The original Don't Be Afraid of the Dark is a television film from 1973. While I'm sure the film was effective at the time, particularly to a 70's TV audience who probably didn't see too many horror movies, I didn't find it to be all that frightening. It may be because I'm so desensitized to these kinds of movies that it just didn't work on me. Or it could be because that it's very simple in its scares. I like that there aren't any sort of jumpy moments and instead it's all about a creepy atmosphere. I also liked the ending a lot and the score was very nicely played. It is, of course, a bit dated in look and style, but none of that really matters. I tried to take step back from it and see it through younger and less-informed eyes than my own and I'd say that I could have been frightened by this as a child, but as is, I didn't find it all that terrifying or creepy.
Made for TV movie from the 70's about to get a glossy makeover. For a TV movie, this is wonderful stuff. They keep the number of characters low, use just a handful of settings, and concentrate on developing a twisted little atmosphere. It was complete in 2 weeks, but you could never tell. The little creatures are eerie and original without being comical. Things are whispered, things are moved, people are attacked, but it carries it off by keeping most things low key. The use of simple panning shots and quiet editing, makes it a film that builds tension with ease. If you are open to less obvious horror, with a love of practical effects, you should find a lot in this mini-treat.
The first real horror movie I saw (if you don't count Walt Disney's "Sleeping Beauty" with Malificent the Witch!) We watched this on television as kids, and I've been a fan of horror movies ever since. A woman named Sally (Kim Darby) moves into a big old spooky house with her husband. The fireplace in the basement has a metal plate on it, which she decides to open up - and little goblin creatures come out and torment her. It's freaky stuff. They are hiding at different places throughout the house. There's great optical effects as men in slimey suits are scaled down to appear dwarf-sized. The ending haunted me for years. Spooky!
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