Don't Come Knocking (2006) - Rotten Tomatoes

Don't Come Knocking (2006)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: The cinematography conjures beautifully evocative landscapes, but aside from that, the film is meandering and pointless.

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Movie Info

Howard Spence has seen better days. When he was younger he was a movie star, mostly in Westerns. At the age of 60, Howard uses drugs, alcohol and young girls to avoid the painful truth that there are only supporting roles left for him to play. After yet another night of debauchery in his trailer, Howard awakens in disgust to find that he is still alive, but that nobody in the world would have missed him if he had died. Howard gallops away on his movie horse in full cowboy regalia; fleeing from the film and his life. After a short trip to see his mom in Nevada, he heads to Butte, Montana, the location twenty five years earlier where Howard shot the movie that made him a star. There he visits and old flame and encounters some surprises from his past.

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Cast

Tim Roth
as Sutter
Eva Marie Saint
as Howard's Mother
Julia Sweeney
as Producer No. 2
Mike Butters
as Businessman
Emy Coligado
as Desk Clerk
Tim Matheson
as Producer #1
Majandra Delfino
as Trailer Twin No. 1
Marieh Delfino
as Trailer Twin No. 2
Yuri Elvin
as Casino Bartender
Tom Farrell
as Cliff Ormsby
Kurt Fuller
as Mr. Daily
James Gammon
as Old Ranch Hand
Carrie Mae Jones
as Elko Waitress
Raymond O'Connor
as Elko Policeman
Jeff Parise
as Second Assistant Director
James Roday
as Mickey, First Assistant Director
Jinny Lee Story
as Drunken Girl
Rockey Whipkey
as Garbageman
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News & Interviews for Don't Come Knocking

Critic Reviews for Don't Come Knocking

All Critics (100) | Top Critics (33)

By the time we get to the point where the camera is endlessly circling Shepard sitting on a sofa in the middle of the street, it feels as if he and his director were making things up as they went along.

Full Review… | June 24, 2006
Time Out
Top Critic

The story is as meandering as it is self-indulgent.

June 1, 2006
Arizona Republic
Top Critic

The charm here is in watching Shepard and Lange, and Shepard and Saint play off one another, and the leisurely pace of the 'discoveries' that aren't really secrets in the first place.

May 19, 2006
Orlando Sentinel
Top Critic

Spence has much in common with Shepard and Wenders. They seem equally bewildered about what to do, other than spending nearly two hours demonstrating that Spence is a self-pitying fool.

Full Review… | April 21, 2006
Toronto Star
Top Critic

Suffers badly from an emotional aimlessness.

Full Review… | April 21, 2006
Globe and Mail
Top Critic

Don't Come Knocking isn't noticeably relevant or insightful, even if you're able to suspend disbelief long enough to buy the idea of a western movie star in the 21st Century.

April 21, 2006
Detroit Free Press
Top Critic

Audience Reviews for Don't Come Knocking

½

Very impressed with this film. A great anti-Western, it's depicting a world outside of the Western genre still shot in, basically, the Western genre. The leading man echoes Clint Eastwood in a way - Clint's got six children by a few different women - and you can't help but ask what that's like when the on-screen cowboy has an off-screen cowboy story of a life to live. Utah, Nevada and Montana look beautiful and desperate in this film, and though it starts off sort of comically, it becomes clear that there is a lot of pain in these characters. Well-acted and well-shot, if not an example of super writing, I'm still hearing that Don't Come Knocking isn't one of Wim Wenders' best. It's the first of his movies I've watched, and it's opened my eyes to his oeuvre nevertheless. Coming from Germany, it blows my mind that he can tell a wonderfully American story like this one, but thanks to this film I'll be sure to visit Paris, Texas shortly. Lots of meta-film going on here, too: how many movies are actually filmed in Bute, Montana? Import Sam Shepard, Jessica Lange, Sarah Polley et al to the town, and you have to wonder if it could have had a real effect on the town akin to the one the main character's film did within the story... probably not, but it's a question that makes it interesting. It's hard to say much about this movie without spoiling it, and it does move really slowly, but I was hanging off it the whole way - suffice to say that in a later scene, why the White Stripes make sense to America, the world and me was hammered home, which might've made the movie in itself. The style and the chase at the heart of the story seemed like an inspiration for No Country For Old Men, too... at any rate, in my opinion, this is a film (and probably a director) not to be missed.

Daniel Perry
Daniel Perry

Super Reviewer

Faraway,so close dear Wenders...it's a shame,really,to stuck en route for the American dream as you say in all your filmography,discovering the core and then self-exploding?A pity,this was the pinnacle of Wenders' journey.I believe it's about time to pick up the rest of the pieces and think of concrete ideas instead of dead end road trips.I wish I hadn't given one star on this but he wouldn't leave me any other option.Utter failure.

Dimitris Springer
Dimitris Springer

Super Reviewer

The poetic journey of an aging cowboy who seeks for redemption and forgiveness. Wenders lyric take on an existencial drama, with exceptional and touching performances by Sam Shepard, Jessica Lange and Sarah Polley.

Pierluigi Puccini
Pierluigi Puccini

Super Reviewer

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