Feb 2, 2021
Reddick reassures us that his skillset has only improved with time.
Dec 12, 2020
Despite its shortcomings, Reddick manages to deliver an attractively shot product with impressive practical effects for such a modest budget.
Dec 5, 2020
I commend Reddick for featuring a strong, black, female lead in his film. Horror is a genre that has historically treated people of color as set dressing with dialogue.
Nov 25, 2020
It may not achieve all its ambitions but it's worth a watch.
Nov 19, 2020
While the story does get a little too overly ambitious at times, Reddick does a great job of reining it all back in during the third act.
Oct 24, 2020
Don't Look Back riffs off of Reddick's infamous Final Destination, but is ultimately far too procedural and by-the-numbers.
Oct 23, 2020
a supernatural murder mystery where it is not enough to be a casual onlooker.
Oct 19, 2020
There's a bit more going on in Don't Look Back than just the body count. Caitlin is experiencing something that is either the literal manifestation of karma, or extreme effects of PTSD.
Oct 19, 2020
Packed with believable acting, dynamic direction, and a nifty twist ending, Don't Look Back emerges as a superb thriller for the viral video generation.
Oct 16, 2020
[Jeffrey] Reddick provides some laudably creepy environments and spooky moments.
Oct 16, 2020
As a horror, it boasts plenty of great jump scares, a strong, dread-soaked atmosphere, and an evocative color palette made up almost entirely of greys and blues. Don't Look Back is confidently its own thing and Reddick's voice is clear throughout.
Oct 15, 2020
DON'T LOOK BACK proves that Reddick is a much-needed voice in the horror genre, especially when it comes to bringing a bit of cerebral context to the thrills on display.