The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Ultimately, what I find most endearing about the film is the same thing that I primarily love about the first two Evil Dead films: it's made by a guy who isn't afraid to let his warring sensibilities go up on display in a single film.
At what point does gleeful cynicism become so gleeful that it ceases to function as cynicism at all, and mutates into a blatant formalist trope of little emotional or intellectual resonance, but plenty of aesthetic...what's the word? Bliss?
Drag Me to Hell is a lark fitting snugly between the Saw flicks and silliness like Shaun of the Dead, making the gasps and laughter feel like something earned through ingenuity. Welcome back, Mr. Raimi. We've been lurking for you.
Drag Me To Hell offers lots of screams, gross-outs and laughs, often at the same time and always without one response ruining the other. That's a Sam Raimi trademark, developed in the first two Evil Dead movies and still fresh two decades later.