The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Dragonslayer - which incredulously picked up the Best Documentary award at SXSW - is probably the first ever hagiography made about someone who is, without doubt, completely unremarkable. But at least at 74-minutes, it won't keep you for too long.
Patterson's one-of-a-kind hybrid captures a socio-historical moment with the kind of charged authenticity that only comes from a willingness to embrace contradictions: It's discursive and hypnotic, laconic and urgent.
Despite a slew of skateboarding films in recent years, each one quite distinct, Patterson's pic arguably comes closest to channeling the culture's punk vibe and youthful abandon, albeit filtered through an outsider's aesthetic.
Seamlessly dovetailing style and subject, "Dragonslayer," a poetic and affectionate portrait of the professional skateboarder Josh Sandoval, known as Skreech, vivifies a subculture of random hedonism and future myopia.
In following this scattered character around, "Dragonslayer" director Tristan Patterson makes a very purposeful documentary about the pessimistic worldview of the nation's youth, and what that means for the future.
Dragonslayer is an amazing window into a particular part of the culture and how we live now. You'll think about Skreech -- his father's day gift for his son, his new job at a bowling alley -- for a long time after you leave the theatre.