The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The energy is so high in sequences like this -- and there are lots of them -- that it almost doesn't matter that we've seen this story before, in Ray and other film biographies about the "heartbreak" of musical stardom.
It reserves singing and dancing for the stage until Jamie Foxx just randomly bursts into verse while strolling down the street. Dreamgirls wants to be Effie but ends up as Deena: thin, smooth, unburdened by a personality.
This glitzy, infectious and unusually heartfelt musical doesn't always hang together as a satisfying narrative -- too many characters compete for too little screen time -- but its pleasures are numerous enough to override its flaws.
Joy is defined as Dreamgirls, an ecstatic dose of pure top-down Motown tight-harmony effervescence that takes a hit Broadway musical about a Chicago girl group and turns it, miraculously, into a Hollywood delight.
Condon has gotten terrific performances from almost everyone here. Knowles lives up to the promise she's shown in her earlier big-screen warm-ups. And Hudson proves to be as good in her dramatic scenes as she is in the musical ones.
As much as I appreciated the performances from the terrifically talented cast -- as much as I liked Dreamgirls -- I didn't love it. Maybe it was just a little too slick and over the top for its own good.
Fulfills the ecstatic promise inherent in all musicals -- that life can be dissolved into song and dance -- but it does so without relinquishing the toughest estimate of how money and power work in the real world that song and dance leave behind.