The Edge of the World

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paul d @PaulusLoZebra 12/31/2021 Michael Powell's The Edge off the World is the story of the inhabitants of a Scottish island who live a very hard life. They face a constant dilemma: embrace modernity and leave for the mainland, or continue their ancestors' age-old struggle to survive in a harsh environment? This story is told through the eyes of young and old, and through the lenses of friendship, young love and ancient rituals, with some headstrong risk-taking to boot. The cinematography is outstanding, with vivid portrayals of landscapes, seascapes and the faces of the islanders. There's also a love story to tie it all together. See more 03/23/2019 Shot on location at Foula, one of the tiny Shetland Islands off the northwest coast of Scotland, this may be director Michael Powellâ(TM)s first masterpiece. Some suggest that it is very different from the highly stylized Technicolor pictures that Powell later made with his key collaborator Emeric Pressburger (e.g., The Red Shoes, 1948; Black Narcissus, 1947) â" but in truth this seems not too far distant from some of their masterpieces (such as I Know Where Iâ(TM)m Going, 1945, which takes place in the same general locale). There is an almost surreal pictorial beauty here with land and seascape, flora, and fauna sharing almost equal billing with the human characters of the story (Terence Malick must have taken inspiration here). Foula is impressive, with its steep cliffs topped by green pastures and rocky coast lashed by the sea but it is a stand-in for St. Kilda, an island in the Hebrides which was vacated by its residents after they decided that their way of life could not be sustained in the modern world. And this is the plot that Powell pursues â" he examines a community that is grappling with whether it can sustain itself as its young people choose to leave for the mainland and better jobs and less harsh conditions. A young Niall MacGinnis (who I know best from Curse of the Demon, 1957) plays Andrew Gray who wishes to remain on the island with his father (the great Finlay Currie) and accepts a challenge from Robbie Manson (Eric Berry) who wishes to leave â" the challenge is to climb the steepest cliff barehanded and the winner will decide the fate of the island. Itâ(TM)s a nail-biting sequence. Although Gray wins, his love for Mansonâ(TM)s sister Ruth (Belle Chrystall) drives him to leave the island (and his yet-unknown unborn son). Soon the whole community plans to leave, but the Manson patriarch (John Laurie) stubbornly resists leaving without first gathering some rare eggs. The plot itself is almost beside the point here because Powellâ(TM)s sense of the environment, here at the nearly literal edge of the world (or at least the UK), is spectacularly mystical. Surely, this would be a destination for reflection on beauty and on human insignificance in the grand scheme of things. Powellâ(TM)s focus is instead on the loss of culture and community with modernity, a subtle theme that can be traced through his work. See more Simon T @Bucksplit 03/14/2017 Some of the acting is very stiff and clunky, but the photography and stoic dignity of the inhabitants of the fictional doomed Scottish island at the centre of Michael Powell's short feature more than compensate. As in so many of his films characters are always falling to their deaths from a great height. One of them here is John Laurie, in a marvellous performance that proves what a great actor he was thirty years before Dad's Army claimed him. Strangely moving. See more 07/31/2016 This 1937 film in my opinion is the first masterpiece from Michael Powell. It's a simple and small story, but it is told with passion and skill. The film is gorgeously shot on location in harsh conditions, but it really brings the story to life. This was a very personal film for Powell and he held it in high regard. This is a must watch for any cinema lover! See more 06/23/2014 year s/b 1937 NOT 2000 See more 11/20/2012 A fine well thought out story as two friends fall out on a remote Scottish isle and challenge each other to a dare with tragic consequences. Being slightly critical, for a short film there are too many and quite lengthy sequences which give it a promotional feel for tourists. Still worth a watch though. See more Read all reviews

The Edge of the World

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