The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Despite its age, El Mariachi holds up remarkably well. The film's low budget (roughly $7,000, allegedly) actually helps build tension in the narrative - like you're watching something that's really happening.
The unrelenting tempo is bolstered by Rodriguez's camera work and editing: nearly every frame seems to have been shot with a careening, handheld camera, and they're cut together in a skillful, fluid fashion that enhances the tension and pace.
No festival is true to its name if it doesn't display at least one discovery. In 1992 that spot was occupied by Robert Rodriguez, who made a charming actioner for $7,500; never mind that Columbia later invested $1 million for its theatrical release.
Rodriguez goes for broke with a breakneck pace, swarms of bullets, cinematic tricks, and a tone as playful as it is knowing of genre conventions. The director's light touch is all his own; and this unpretentious offering delivers in all departments.
While the story may be a common one, Rodriguez, who wrote, produced, shot and edited the entire film himself, has a uniquely straightforward wit that makes what might otherwise have been just another shoot-'em-up something more than that.