The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
This is a disappointingly reverential exercise in East End mythologising that's too busy sucking up to its rheumily sentimental interviewees to spend enough time exploring the few interesting observations they do make.
This grainy documentary that lets the Cockney hard men brag about violence, honour codes and the changed East End. Director Collins appeared with her sister Teena in Guy Ritchie's Snatch. That explains a lot.
The End could be criticised for being one-sided (none of the victims get a look-in). But that's missing the point, for at heart it's really a portrait of a long-gone era. In all, it's the best British crime film in years.
The second half of this most watchable debut sows a few doubts. The old sweats admit that prison has wasted half their lives, that they indeed "done wrong" and, in two cases, that God has saved them from themselves.
As well as being a candid portrayal of a bygone gangster life, The End's carving visceral edge and acute sense of storytelling gives it bags of rewatch value and quotability. A darn fine piece of work, The End deserves all its praises.