The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Starship Troopers, Alien, Tron and Star Trek also make up the movie's DNA but the story - a provocative study about the morality of warfare and conflicts of leadership - injects something powerful and new into the familiar 'chosen one' plot trajectory.
It takes itself a bit too seriously and would have benefited from twisting the entertainment dial a little higher, but it's refreshing to see a film filled with teens that's intelligent and reflective.
Based on a hit novel by Orson Scott Card, this futurist sci-fi film trudges along in perpetual low gear, its efforts at times laboured, despite a no-nonsense turn by Asa Butterfield as the game-theorist boy of the title.
It was a bit like standing in a room where someone is playing a video game on a screen and you're not actually taking part in it but you have to watch interminably this game being played and it's just really a bit boring.
From its grave, Full-of-Portent-and-Moment start 'til its grave, Full-of-Portent-and-Moment end, this flick's got a severe case of the Messiah Complex. Lots of human-phobia here--it's 100-percent gravitas and humourless inhumanity.
Asa Butterfield stars opposite a grumblebum Harrison Ford in an expensive, elaborately mounted, tedious film with one huge problem - it has no second act. You literally get to the end of the film and think: "Hang on. That's it?"