The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It takes itself a bit too seriously and would have benefited from twisting the entertainment dial a little higher, but it's refreshing to see a film filled with teens that's intelligent and reflective.
Based on a hit novel by Orson Scott Card, this futurist sci-fi film trudges along in perpetual low gear, its efforts at times laboured, despite a no-nonsense turn by Asa Butterfield as the game-theorist boy of the title.
It was a bit like standing in a room where someone is playing a video game on a screen and you're not actually taking part in it but you have to watch interminably this game being played and it's just really a bit boring.
From its grave, Full-of-Portent-and-Moment start 'til its grave, Full-of-Portent-and-Moment end, this flick's got a severe case of the Messiah Complex. Lots of human-phobia here--it's 100-percent gravitas and humourless inhumanity.
Asa Butterfield stars opposite a grumblebum Harrison Ford in an expensive, elaborately mounted, tedious film with one huge problem - it has no second act. You literally get to the end of the film and think: "Hang on. That's it?"
Full of mixed messages and strange symbolism, its weirdness is also its (limited) charm ... Trippy, confusing, strangely slow and contained, it certainly exists in its own bonkers world, and, as such, is, at least, an odd original.