The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
With a touching relationship at the core of its compelling narrative, along with a brilliant score and nostalgic special effects, E.T.: The Extra-Terrestrial remains one of director Steven Spielberg's most beloved films.
Spielberg would seem to be groping towards a virtual theology of space, space as Heaven, offering solace to a world which has foolishly renounced its traditional God but still aches to extend its own spiritual frontiers.
E.T. is essentially a spiritual autobiography, a portrait of the filmmaker as a typical suburban kid set apart by an uncommonly fervent, mystical imagination. It comes out disarmingly funny, spontaneous, bighearted.
Captivating, endearingly optimistic and magical at times, Steven Spielberg's fantasy about a stranded alien from outer space protected by three kids until it can arrange for passage home is certain to capture the imagination of the world's youth.
What's perhaps most amazing about E.T., what distinguishes it from many of the other fantasy films of its era, is its ability to put an audience under a spell of childlike wonderment without infantilizing it.
E.T. remains Spielberg's finest demonstration of his ability to merge the feelings of suburban dissatisfaction - alienation, if you will - that permeates a lot of his work, with a unique sense of childhood wonder and imagination