The LEGO Movie 2: The Second Part
The Walking Dead
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All Critics (6)
| Top Critics (3)
| Fresh (4)
| Rotten (2)
Despite largely effective English dialogue that allows key characters to acquire dimension, the plot is hard to follow, especially early on. Yet the film pulls you in as it explores Shinji's perplexing dilemma and his maturing.
Just another giant robot movie.
This is mighty perplexing nerd kibble, its highfalutin' philosophical and psychological banter way too outlandish to seriously engage. Yet as a visceral experience, it's entrancing.
While [it's] absolutely promising as the first movie in a series, it signs far too many IOUs to pretend that it's a great stand-alone movie in and of itself.
Evangelion: 1.11 You Are (Not) Alone adapts the original story with new, cutting edge, CG-assisted animation that proves to be the pinnacle of the format thus far. Thankfully, all of these new bells and whistles haven't tarnished the story.
Essentially a condensed version of the first few episodes of the series with a few elements from later episodes tossed in to make the show's climax appear more grounded.
If you're a fan of the original anime series Neon Genesis Evangelion then you will not be disappointed with this reboot, at least not this first theatrical release. The series ran 26 episodes and had two films that were made to give fans more of a meaningful resolution than the finally two episodes of the series offered which was more of a psychological mash-up of Shinji's mind. The first film of these two was Death and Rebirth (1997) which has the first hour devoted to retelling the series primary plot points and the last half hour dedicated to new footage. This last half of Death and Rebirth make up the beginning half hour of what would be The End of Evangelion (Also 1997) and gives viewers a more tangible, albeit horrific, close to the series story and the character's fates. While the last couple episodes of the series were a psychological delve into Shinji's mind, The End of Evangelion is the outright devastating physical conclusion to the series and a harsh reality to accept.
The first of the proposed four film rebuild of Evangelion, Evangelion: 1.11 You Are (Not) Alone is essentially an introduction to the characters and story line of the series and one that sticks very closely to the original series narrative. There are some slight differences in story and certainly the film boasts a much bigger budget and utilizes the advances in the decade or more since the earlier films and boasts both hand-drawn animation and the latest CGI blended together seamlessly and visually it is gorgeous to view! While I've seen it on Blu-ray and admired the quality, seeing it at my local cinema recently along with 2.22 and 3.33 in a three-film marathon was a totally engrossing and visually sensational experience unlike any other! The CGI involved really adds to the style and feel of the series and breathes new life into the proceedings, especially the angels and their functionality. This first film is condensed certainly but still does a fantastic job at capturing the many battles with the various angels but more importantly it clings to the psychological and humanity of the central story arc and it's Jewish and Christian symbolism all of which add dramatic and visual depth to the series and of course this/these films!
It's hard to imagine that fans of Evangelion won't be pleased with this leaner, gorgeous rebuild of the original anime series. And if you're new to Evangelion, this is a great place to start.
You Are (Not) Alone is a pretty straightforward adaptation of the first six episodes of Evangelion. It's somewhat condensed but still containing all the major moments and plot points. While the next three movies promise new story additions and characters, this movie contents itself with mostly cosmetic changes, along with tightening up the story, a few extra scenes, and eliminating some filler. There wasn't a lot in the first six episodes that needed to be altered.
That means slightly less whining from Shinji. SLIGHTLY.
The animation and visuals are outright beautiful, especially on blu-ray. I could recommend this on that aspect, alone. The re-designed Angels and action scenes are improvements over the original's (especially the sixth Angel), in my opinion and the voice work is great.
Does You Are (Not) Alone make the original series redundant and unnecessary (or vice-versa)? No, I don't think so. Both of them have merit, and both are worth watching. But, I'm very interested in seeing if the next three Rebuild of Evangelion movies rectify some of the mistakes that the latter portion of the series fell prey to.
Tokyo-3 is under assault by mysterious robot-like creatures known as "Angels"; two teenagers pilot the bio-robots that are the only things that can defeat the invaders and save humanity, while simultaneously dealing with high school bullies. The mystical plot is barely hinted at in this first installment of an intended trilogy, but the story wouldn't make much sense anyway, because no one acts anything like an actual human being would in a similar situation; the plot and characters seem to be a necessary annoyance linking together pretty pictures.
Shinji Ikari: I mustn't run away. I mustn't run away. I mustn't run away. I mustn't run away. I mustn't run away.
A feature film version of a very popular anime/manga. The film is essentially a remake of the anime, condensing the first fourth of the series into a single feature. Not being familiar with the original anime or manga beyond basic descriptions from friends, I came in with an open mind and found a lot to admire. It has an interesting story, striking visuals, a soundtrack that reminded me a lot of Star Fox 64 of all things in a good way, and left me with a desire to see the next three films in the series.
Evangelion is an apocalyptic mech action series, which revolves around the efforts by the military organization, Nerv, to fight monstrous beings called Angels, primarily using giant mechs, called Evangelions, which are piloted by select teenagers. One of these teenagers is the main hero, who seems to be a chosen one of some sort.
The film basically throws you into the world almost immediately, with little exposition, which I enjoyed. I was able to pick up the story just fine and could comprehend who these characters were. For this first feature, much of the film is setup and it does a drag a little in the middle, but in its last act, I really felt that this feature was finding its footing, and I look forward to seeing where it goes.
Rei Ayanami: Why are you crying? I'm sorry; I don't know what to do of feel at a time like this.
Shinji Ikari: Why don't you try smiling?
There are no approved quotes yet for this movie.