Critic Consensus: John Boorman's operatic, opulent take on the legend of King Arthur is visually remarkable, and features strong performances from an all-star lineup of British thespians.
Watch it now
as King Arthur
as Sir Hector
as Boy Mordred
as Mordred's Lieutenant
as Young Morgana
as Lady in Waiting
as Young Morgana
as Aged Morgana
News & Interviews for Excalibur
Critic Reviews for Excalibur
Give Boorman credit for the loopy grandeur of his imagery and imaginings, for the sweet smell of excess, for his heroic gamble that a movie can dare to trip over its pretensions -- and still fly.
There is humor here (in the form of a vaudeville Merlin, played by Nicol Williamson) as well as a diminution of scale that seems intended to help audiences through the thornier byways of Boorman's vision.
Exquisite, a near-perfect blend of action, romance, fantasy and philosophy, finely acted and beautifully filmed by director John Boorman and cinematographer Alex Thomson.
Audience Reviews for Excalibur
Set in the wilds of Ireland and with a pretty full cast of Irish actors which set in motion the careers of both Liam Neeson and Gabriel Byrne whilst also utilizing some classic/cult British names for spice. Like Robin Hood there are many stories of the legendary King Arthur and his Knights of the round table but this film is probably the most accurate in terms of an adaptation from original writings. This film is based around the tales from 'Le Morte d'Arthur' and seems to follow each 'segment' quite closely (haven't read it so I'm not sure). The overall essence of this film is like a fairytale of sorts, a kind of slightly cheesy shiny armoured fantasy with glittery sets, soft colours, strong religious/iconic imagery and a 'Clannad' vibe running through it. The film reminded me of the classic British TV series 'Robin of Sherwood' which also starred the dastardly Robert Addie and the classic British fantasy film 'Krull', I think the latter took inspiration from the look of 'Excalibur'. The design and look of this film is really very good, its clearly rather dated but it still has a high polish to it and looks quite epic. The locations are really well used and do give an impression of old medieval England and the costumes all make the sale. Of course this being the 80's the armour does look a bit fake, plastic and too shiny in places, there is a kind of music video feel to the proceedings in places, some sets look a bit too sparkly, some characters have some dubious haircuts and to be utterly honest the acting/dialog is pretty hilarious in places but you can't deny the effort and scope of this historical fantasy. This being in the days before CGI and when historical epics were all the rage the battle sequences here are small with some blood and minimal gore. You can easily tell they didn't have allot of people to make grand battles so clever editing is used with lots of darkness and fog, luckily Old England was a foggy place...or so I've been led to believe. The other slightly amusing thing was the soundtrack, there was original work here but the use of classical pieces slapped on top of key moments didn't really work. The combination of certain scenes and certain pieces of music felt very rickety and really did seem crowbarred in badly, you can see what the director was going for but it comes off more like something out of 'Monty Python and the Holy Grail'. The plot is straight forward and it doesn't get dull despite the heavy romance of the tales, the film is rich and vivid in design and imagery giving the whole production much flare and class which works brilliantly because you know these were the days when everything was hand crafted. The film is a cult classic with a powerful poster that demands your attention, oh and Nicol Williamson as Merlin is also another good reason to view with his unique quirky take on the character spouting some glorious moments, 'oh that's grand'.
Still the movie that sticks closest to the King Arthur myth in its original form, this film is like a strike with a two-hand blade. Beautifully filmed in real set pieces and landscapes the film never feels cheap or fake, despite of its early 1980s origin. Same goes for the costumes, weapon and armor. Things are dirty, bloody and feel accordingly real. Of course, the story does contain Merlin's magic and ultimately the search for the holy grail, so the film does not pretend to be an actual medieval history lesson. But even with a couple of clumsy scenes and dialogs, the film delivers on every level: The battles are cool, there is eye candy, romance, fantasy and gore. When the knights ride through the cherry tree fields to the music of the Carmina Burana you know there is hell to pay. A mesmerizing and fascinating piece of film making of Wagnerian proportions that stood the test of time.
Beautifully filmed in the wilds of Ireland, Excalibur tells the Arthurian legend in a way that is gritty, real, and at times heart breaking. There have been hundreds if not thousands of films dealing with Arthur, but for me, this one has always held a strong place in my memory. Upon this viewing, a good 20 years since my previous one, I note that time once again (as I noticed with Chinatown) cannot stand up to my memory. My memory certainly recalled all the high points - and believe me, there are many, but had glossed over some of the achingly bad dialog and overdubbing. I had also forgotten the written prologue and the overuse of fade to black editing (you either love it or hate it - on this viewing it often felt like I was watching this on TV and each fadeout was a really good spot for a commercial interruption). Still, for all that, the film certainly has its moments, and those moments shine. The cinematography and art direction are flawless (and nominated for an Oscar if memory serves) - the wonderful Wagner soundtrack fitting the moods of the film to a tee. The performances are often quirky, but I feel that in many cases it is due to the dialogue itself than to a lack of talent by the actors. Nigel Terry's Arthur grows from young, naïve, doofus boy to living embodiment of the soul of a nation. Nicol Williamson as Merlin does a wonderful job of spitting out the dialogue, and changing his vocal tones so you aptly feel this otherworldly quality about him - which is apropos. His interplay with Morgana (holy cow - that's Helen Mirren!!) is wonderful in a cat and mouse, odd duck flirty way. Along the way you can also pick up some of the armored knights - Patrick Stewart and... isn't that Lliam Neeson as Gawain? This is all fun, and at times the story teeters on the absurd, but John Boorman always manages to then do something truly special - splitting the camera time between Lancelot and Guenevere's naked tryst in a green glade and the aforementioned quasi romance (a romance over power perhaps) between Morgana and Merlin, taking place in a stalagmite filled cavern (which Merlin calls the heart of the dragon). It is scenes like this and the final battle scenes with a blood red sun casting its pall over the fog enshrouded countryside; all choreographed with that epic Wagnerian music that makes this film, for my money, the best Arthurian film - especially for taking a chance with a different theme - that Arthur and the land are one - which made the scene with the revitalized Arthur riding into battle through a field of flowering trees, the buds swirling around him like snow, all the more poignant and special. If you can get past the creaky dialogue and appreciate the stunning visuals that still stand up today, you'll enjoy this film. As Merlin says at one point "a dream to some, a nightmare to others".
|Merlin:||Look into the eyes of the Dragon and despair! I destroy you, I consign you to oblivion!|
|Merlin:||Behold Excalibur! The sword of power! Forged when birds and beasts and flower were One with Man, and death was but a dream!|
|King Arthur:||What is the greatest quality of knighthood? No poetry, just a simple answer.|
|Merlin:||Alright then. Truth! That's it, truth. When a man lies he murders some part of world. You should know that.|
|Merlin:||You betrayed the duke. You stole his wife. You took hist castle; now no one trusts you. It's not for you, Uther-- hearth and home, wife and child.|
|Uther:||To kill, and be king? Is that all?|
|Merlin:||Perhaps not even that. Give me the child.|