Critics Consensus

Led by a gripping performance from Peter Sarsgaard, Experimenter uses a fact-based story to pose thought-provoking questions about human nature.



Reviews Counted: 75

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Average Rating: 3.4/5

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Movie Info

In 1961, social psychologist Stanley Milgram conducted the "obedience experiments" at Yale University. The experiments observed the responses of ordinary people asked to send harmful electrical shocks to a stranger. Despite pleadings from the person they were shocking, 65 percent of subjects obeyed commands from a lab-coated authority figure to deliver potentially fatal currents. With Adolf Eichmann's trial airing in living rooms across America, Milgram's Kafkaesque results hit a nerve, and he was accused of being a deceptive, manipulative monster. EXPERIMENTER invites us inside Milgram's whirring mind, beginning with his obedience research and wending a path to uncover how inner obsessions and the times in which he lived shaped a parade of human behavior inquiries. (C) Magnolia

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Peter Sarsgaard
as Stanley Milgram
Winona Ryder
as Sasha Menkin Milgram
Anton Yelchin
as Rensaleer
Kellan Lutz
as William Shatner
Taryn Manning
as Mrs. Lowe
Jim Gaffigan
as James McDonough
Dennis Haysbert
as Ossie Davis
Lori Singer
as Florence Asch
Josh Hamilton
as Tom Shannon
Emily Tremaine
as Shelia Jarco
Edoardo Ballerini
as Paul Hollander
Ned Eisenberg
as Solomon Asch
Karl Geary
as Stephen Macht
Paul Lazar
as Paul Errara
Michael Siberry
as George Bellak
Gameela Wright
as Mrs. Greer
Frank Harts
as Washington
John Palladino
as John Williams
Pascal Yen-Pfister
as Serge Moscovici
Emily Nicole Hansen
as Hospital Receptionist
Katie Kreisler
as Hannah Arendt
Lucy Fava
as Michele Milgram
Adriana Randall
as Mrs. Stein
Emily Vere Nicoll
as Donna Abbott
Devin Henry
as Airport Passenger
Peter Iasillo Jr.
as Homeless Man
Mark Elliot Wilson
as Mr. Abe Lincoln
Tom Farrell
as Whittaker
Accalia Quintana
as Little Sister at the Airport
Harley Ware
as Elms/Alan
Gary Shteyngart
as Worthheimer
Richard R. Corapi
as Party Guest
Frank Ferruccio
as Keller Hawkins
Craig DeLorenzo
as Student #1
Kate Kitchin
as Big Sister at the Airport
Shiori Ichikawa
as Student #3
Charlie Jones
as Airport Passenger
Maury Silver
as Emerson Rosenthal
Max Maxy
as Black Man in White T-Shirt
Chris Nester
as Hank Solomon
Tom Roma
as Waiter
Harold Takooshian
as Man in Suit
Jude Patrick White
as Marc Milgram
Sean Brody
as Student #2
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News & Interviews for Experimenter

Critic Reviews for Experimenter

All Critics (75) | Top Critics (19)

  • Mostly playful if occasionally pretentious ...

    Oct 29, 2015 | Rating: 3/4 | Full Review…
  • There are a few feints at considerations of human nature, and a word is spoken in defense of obedience, but the film serves better to start a conversation than to draw a conclusion.

    Oct 22, 2015 | Rating: 1/5 | Full Review…
  • Fascinating work by Michael Almereyda, a mix of audacious artifice, ruminations and reality.

    Oct 22, 2015 | Rating: 3.5/4 | Full Review…

    John Anderson

    Top Critic
  • Peter Sarsgaard carries this engaging biopic of Stanley Milgram.

    Oct 22, 2015 | Full Review…
  • When you have such a provocative foundation and such rich material to work with, pushing it to the next level isn't necessarily the best choice.

    Oct 22, 2015 | Rating: 2.5/4
  • "Experimenter's" most striking quality is the way it encourages us to think deeply, from the first frame to the last, even if it's just to consider what on Earth an elephant is doing on screen.

    Oct 22, 2015 | Rating: 3.5/4 | Full Review…

Audience Reviews for Experimenter


The stylized direction is sometimes unnecessarily distracting (even though the breaking of the fourth wall does work) and in some occasions the narrative seems to digress, but still this is a compelling account of a fascinating experiment that says a lot about human nature.

Carlos Magalhães
Carlos Magalhães

Super Reviewer

Would make a great double feature with The Stanford Prison Experiment movie. As I explained in my review for that film as background, I had a semester internship at the Center for the History of American Psychology, an archives/museum on the University of Akron campus, when I was getting my library degree. They had one of the "shock boxes" on display there and I found myself most interested in the social psychology field. Writer/director Almereyda has put some unique touches on this film. There are several well known actors in minor rolls. Peter Sarsgaard is professor Milgram and Winona Ryder is his faithful wife Sasha. Milgram's most famous "obedience experiments" took place in 1961, ten years before the Stanford Prison Experiments. This movie explores those experiments from all sides, but goes beyond them to reveal more about the rest of Stanley Milgram's life. Professor Milgram often breaks the fourth wall to explain the outcome of some situation directly to the audience so that the next scene can move forward more quickly. We are introduced to a few other experiments that Milgram initiated and to Sasha and Stanley's long relationship as equals. There is also a segment where professor Milgram and Sasha visit another professor who had been an inspiration to Stanley in his younger days. The filmmakers use green screens and black-and-white photos of the interior and exterior of this other professor's home to set the scenes. Historians or archivists may find this effect especially fascinating. I have not seen any other filmmaker mix live action and archival materials quite like this before. If you watch this movie, you will be entertained, perhaps disturbed, but you will definitely learn something.

Byron Brubaker
Byron Brubaker

Super Reviewer

I really enjoyed this casual (very nearly offhand) look at how group think affects all of our lives. An important consideration packaged in a coffeehouse format for ease of consumption.

Kevin M. Williams
Kevin M. Williams

Super Reviewer


THIS IS NOT A TEST - My Review of EXPERIMENTER (3 1/2 Stars) In the mid 80's, I had the chance to work on writer/director Michael Almereyda's first feature, TWISTER, and no, not the big disaster movie, but a quiet, cerebral, somewhat pretentious family psychodrama with a crazily disparate cast of actors including Dylan McDermott, Crispin Glover, Harry Dean Stanton, Suzy Amis and Tim Robbins. It established Almereyda as a quirky, experimental stylist, which time and time again he has brought to the table throughout his career with such films as HAMLET, NADJA and CYMBELINE. With EXPERIMENTER, he raises the stakes considerably with his beautiful, Brechtian, and wryly funny take on the famous Milgram Experiments of 1961. The film stars Peter Saarsgard as Stanley Milgram, who asked his study subjects to administer electric shocks to other participants if they answered questions incorrectly. What the subjects didn't know is that the shocks were fake and their counterpart was an employee of the study. From these data, Milgram learned how far people will go to obey authority. This topic was explored in COMPLIANCE (2012), which echoed Milgram's experiment, but here we return to the source. Along with THE STANFORD PRISON EXPERIMENT, another terrific film this year exploring the ethics of clinical trials, EXPERIMENTER is an apt title. Not content to tell a straightforward story, Almereyda has Saarsgard and other cast members frequently break the fourth wall. He utilizes green screen sets, smooth camera movement, and surreal flourishes to underline the artifice inherent in Milgram's life's work. It's a gamble that could have gone terribly wrong, but Almereyda, for perhaps the first time in his career, uses a light touch and good humor to make EXPERIMENTER an entertainingly original experience. It's also a pleasure to see Winona Ryder, as Milgram's smart, curious wife, back on screen. No longer a precocious teen, Ryder has blossomed into a secure, self-possessed actor whose haunted looks match perfectly with Saarsgard's wistfulness to underscore the film's themes of clinical observation and sadness over humanity's lemming-like attributes. Milgram dedicated his life to observing human behavior, and it's refreshing to see so many examples of it in the film. Jim Gaffigan, as the poor guy who pretends to be shocked, deftly fills the role of comic relief, delivering an understated performance reminiscent of a more controlled Chris Farley. Cinematographer Ryan Samul provides apt MAD MEN-style framing and simplicity while luring us in with the staged artifice of it all. This is quiet, cerebral filmmaking and may not be everybody's cup of tea, but it made me respect Milgram more after years of looking at him as a scientific joke, and in this day and age, that's kind of shocking.

Glenn Gaylord
Glenn Gaylord

Super Reviewer

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