Vynález zkázy (The Fabulous World of Jules Verne)(A Deadly Invention) - Movie Reviews - Rotten Tomatoes

Vynález zkázy (The Fabulous World of Jules Verne)(A Deadly Invention) Reviews

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Super Reviewer
½ July 6, 2017
This black and white film is based on several books by Jules Verne but primarily his 1896 book [i]Facing the Flag[/i]. The basic hook of this film being the unique approach to the special effects by director Karel Zeman.

The plot sees a gang of pirates kidnapping a professor so they can get their hands on his new invention. Said invention being a powerful new weapon combined with special liquid which they want to use for their piracy. The pirates manage to kidnap the professor and one of his assistants and take them to their hidden base (inside a large remote hollow island). There the pirates provide everything the professor needs to build his weapon. In the meantime the assistant manages to get word to the outside world eventually leading to a British fleet arriving to deal with the pirates.

The combination of live action and various forms of animation and effects were the way Zeman created his vision. Although this was not the first time he had taken this approach for his work. Zeman's 1955 film 'Journey to the Beginning of Time' also used a combination of live action, animation and hand drawn elements. The animation and effects in question for this film were stop motion animation, matte painting, miniatures, three-dimensional props and texture superimposition.

Indeed the visuals in this film are quite astounding to say the least. I reckon most would be amazed to know this film was made back in 1958 as it could easily be a modern movie. Its not too hard to imagine Tim Burton being the director behind this feature with its steampunk imagery. Yes that's right I did say steampunk, this film could well be the first introduction of the popular Victorian steampunk/gothic subgenre (inspired by 19th century industrialism). If you take the visuals from Disney's 1954 movie '20,000 Leagues Under the Sea', put them in black and white, and then add the artistic style of using parallel lines (almost like cross-hatching with ink) across all props and sets, you have an idea if what to expect here.

The stark parallel line imagery was in fact Zeman's attempt at recreating the old Victorian line engravings that were featured in the original Verne novels. This style actually works wonders in giving everything a very detailed and used appearance. The whole world we see in the film looks worn and weather beaten, as opposed to looking shiny and new. A technique we all know has been used effectively by a few directors and their movies in years since. The technique also gives the imagery depth and a grand old fashioned vibe which admittedly predominantly comes from when the film was made. Altogether it makes the whole affair look like a living comicbook or moving picture book.

To be honest the film does come across as more of a living comicbook than a movie really. All you get is basically one scene after another showcasing a piece of machinery, or a vehicle, or a landscape etc...Its literally like watching panels in a comicbook one after another. There is very little dialog, sometimes narration, and sometimes nothing other than the moving imagery and the noise it makes. At times its almost like a silent picture but with fantastic visuals. I really can't stress enough how stunning this film looks at times. Sure some of the shots look a bit shaky, some look almost too much like an illustration, and in some the stop motion is pretty jerky. On the flip side some shots with live action elements are remarkable because you can't see the joins! The blend of the actors against moving three-dimensional props and background/foreground mattes, or drawings, is flawless. Overall considering the age of this movie what they achieved is incredible.

Of course being a film based on Jules Verne you can't not have underwater sequences with the inevitable attacking giant squid. Its these sequences which mainly make up the most impressive and fantastical visual elements of the film. The imagination shown in these sequences is spectacular and have clearly helped inspire other filmmakers. Watching the various oddly shaped submarines (some with flipper-like paddles) and personal underwater pedal bike things, which the deep sea divers use, is glorious. I could feel my mind being cracked open...letting my imagination escape and run free. Apart from the slightly dated stop motion animation these sequences also highlighted some little errors which were amusing. Such as the divers moving perfectly normally underwater using their weapons normally. Also one sequence where a sub manages to find and pick up the hero from the seabed seemed a bit fortuitous and ludicrous. All in all its still impressive how they managed to convey the deep sea with mere sets, hand drawn props and a slightly wavy blur effect across the whole image.

With a story based around pirates, mysterious islands, nautical swashbuckling, Nemo-like machinery and dashing Victorians in uniform, what more could anyone want? Beautifully lavish visuals that have clearly been given tonnes of attention; Zeman seems to have been a perfectionist for sure. The final results are clear to see. The plot may be thin on the ground but for anyone who appreciates the art form of stop motion animation along with ingenious high fantasy imagery, then this is for you.
Harlequin68
Super Reviewer
½ August 31, 2014
On the way to visit his friend Professor Roch(Arnost Navratil) and assist him on a new invention, Simon Hart(Lubor Tokos) enjoys his journey while taking note of all the new wonders of technology. Since that new invention is a deadly new explosive, it should come as no surprise that the two men are kidnapped by the nefarious Count Artigas(Miroslav Holub) and taken to a secret island.

"The Fabulous World of Jules Verne" is an entertaining film that is partially animated(through the wonders of 'Mysti-Mation!). This process works for the most part, even though the underwater scenes are a little underwhelming. Even then, the movie conveys as well as possible the rapidly changing world that Verne was experiencing on a daily basis in the 19th century. At the same time, it also anticipates what would come to be known as steampunk.
½ February 5, 2014
Notable for its unique animation techniques.
March 24, 2013
A brilliant and often times seamless stylistic mix of live action, traditional animation, and stop motion. A Deadly Invention truly does capture the world of Jules Verne.
½ March 21, 2011
Incredibly beautiful, layered mix of stop-motion, live action and multiple exposure in wide, panoramic sets to recreate the style of period illustratiion. The Deadly or Diabolical Invention is a more accurate title than the original US marketing, as the subtitled version now available reflects the real character and concerns of the work more accurately. This is not as humorous or surreal as some of the other Zeman I have seen - Na komete (On the Comet), Krabat/The Sorcerer's Apprentice or the wild Baron Prasil/Munchhausen adaptation. But it is a lot of fun, and constantly amazes in shot after shot.
November 16, 2010
I'll never forget watching this film at the ripe old age of 10 at the local drive in with my grandma and aunt. This was my favorite author with his own really cool movie. Boy that was a long time ago. I have a VHS tape of this film, and would like to buy a DVD of it, but the quality of all the DVD's I seen are no better than the tape I do have.

It was a masterpiece of animation/live action created in a format called "Mystimation". The look of this film was intended to be in the same idea as the pen and ink drawings that were present in some versions of Vern's works. I loved it, and I watch it from time to time for the fond memories of a time when your imagination was the special effects of the day. Films the like of this one are gone forever and will never return. The story told by the film isn't as important as the time and place it was viewed. I hope all you Scifi movie folks get to see this treasure at least once.
August 18, 2010
yep. its a mechanic visual masterpiece.. liked the machinas and underwater sword fight adventures, all made within a beautiful and sort of epic montage.
liked the music as a protosynthetizer punkindustrialnoise.. yea
½ June 5, 2010
i love the visual part of this film, specially the scenes underwater. long live the mysti-mation tecnique!! using engravings and turning them into motion pictures makes everything seem magic and eerie, a world you want to live in. at times not the most thrilling of plots, but i can't wait to see the rest of his filmography.
½ April 4, 2010
A lot of fun visually. Karel Zeman's originality and ingenuity shine through. This film offers little more than a light treat for the eyes, but maybe that's enough.
January 25, 2010
okouzlujici klasika karla zemana
August 17, 2008
Skoda preskoda, ze jsme tnkrat byli ve vychodnim bloku, jnak by Zeman strcil Spielberka do kapsy.
April 1, 2008
Actually this is a very old movie with traditional way of presentation animation. Looks funny but u can see a lot of creative used in this film when u imagine the time the Czech made this film. Overall Czech's style of films that I watched so far are in pretty dark mood. Still it's entertaining.
January 2, 2008
saw clips of this and it looks brilliant- can't wait to see the whole film
½ December 11, 2007
Another typical Zeman film and even though in black and white, it is still entertaining and visually very interesting.
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