Fahrenheit 9/11 Reviews

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June 5, 2019
A documentary tour de force that transcends mere finger-pointing and name-calling for a much higher purpose.
January 7, 2019
In all, Fahrenheit 9/11 is a great counterpoint to the Fox News brand of propaganda. It's also a crusade in its own way.
August 21, 2017
The movie works by the primal curiosity that lured people into nickelodeons, the desire to see what comes next in the string of attractions; and unlike some of those nickelodeon operators, Moore makes good on the promise.
November 19, 2013
Much more than a scathing indictment of Dubya-era complicity, Michael Moore's exposé lays bare the devastating heartbreak now central to America's wartime reality.
December 24, 2010
Controversial documentary best for older teens.
June 3, 2009
Michael Moore's fierce and funny Fahrenheit 9/11 is not so much a documentary as a mythology, reducing geopolitical complexities to a neat, tawdry narrative.
April 29, 2009
People say Moore is Un-American for creating a documentary against the president, well, it's Un-American not to explore other's views.
April 18, 2009
Populist documentarian Michael Moore raises crucial questions about the ersatz presidency of George Bush in an air of simplicity and honest curiosity.
August 7, 2008
February 3, 2008
Isn't quite the bullseye Moore's supporters are hoping for and Bush's supporters are dreading.
December 7, 2007
July 14, 2007
May 24, 2007
If all the world is truly a stage, then leftie bad boy Michael Moore is chief scavenger of the behind-the-scenes skeletons in the storage closet.
August 21, 2006
Fahrenheit is, by turns, entertaining, incisive, infuriating, heartbreaking and (this being Moore) slickly populist
July 2, 2006
I want to hug Michael Moore. Then slap him.
June 25, 2006
Michael Moore proves in his scathing yet facile anti-Bush documentary that more than a good filmmaker he is first and foremost indefatigably populist comedian for whom timing is everything.
December 6, 2005
June 20, 2005
Moore's best and most mature effort to date.
April 17, 2005
Moore's film doesn't set out to convert the hardcore faithful. It sets out to convert the concerned, the independent and the open.
April 2, 2005
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