Family Plot (1976)
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Critic Reviews for Family Plot
A rolling boil of sex and violence beneath the bland surfaces of suburban placidity.
Hitchcock has a deviously complicated tale to tell, and he's going to tell it with labyrinthine detail, and he's not going to cheat.
Audience Reviews for Family Plot
Hitchcock's final film is an outstanding finish to a brilliant career. Hitch was obviously still sharp as a tack directing this one.
This was Hitchcock's final film, and, as far as this sort of thing goes, I suppose it could have been worse. The plot is a convoluted and sometimes confusing lighthearted mystery romp involving 'psychics', kidnapping, ransom, and, of course, the dead (or presumed to be). It's not as funny as maybe it should be, and, while I am okay with humor, I think this might have been far more effective and interesting if it was played darker and more serious. Don't get me wrong, it's interesting stuff, but I think it could have been even more so if done differently. I liked Karen Black and Bruce Dern, and, while the not as notable cast (at that time) are fine, I think this would have been better if it had some major star power behind it. The music by John Williams is pretty good, and the film has a nice look to it, but I can just tell that Hitch was probably not trying all that hard here. I know it's cliche to rant about the dip in quality of his later work, but all things considered, this could have been far, far worse. This might be lesser Hitch, but it's still kinda decent, so sure, give it a watch.
An appropriate swan song for Alfred Hitchcock's career, Family Plot is light and thoroughly entertaining. It's a clever mystery involving multiple identities and ensuing confusion with the master's comedic touches as well. Family Plot may not seem typical Hitchcock to some, but it reminds me of The Trouble with Harry as a few others. Those only familiar with Psycho and Vertigo would be surprised at his amazingly varied career. Remember how funny Hitch was on his TV show. Family Plot is cast well. I love the chemistry, especially the verbal jabbing, between Barbara Harris and Bruce Dern. William Devane is perfect as the debonair jeweler and kidnapper hiding a dangerous past. Ed Lauter's great too; he usually plays a jerk (think Longest Yard), but here he's even creepier. This film is a greatly nuanced comedy about death. It's a nice contrast with AH's previous film, the R-rated shocker Frenzy. Considered together, I think they typify his career. This isn't deep philosophy, its entertainment. As the master stated, "drama is life with the dull bits left out."
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