The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
A fitting introduction to the very personal cinema of this master craftsman, not only because it exhibits Bergman's signature themes and stylistic devices, but also because it is one of his most life-affirming films.
[Bergman] glides beyond the mere telling of his story into a kind of hypnotic series of events that have the clarity and fascination of dreams. Rarely have I felt so strongly during a movie that my mind had been shifted into a different kind of reality.
Sumptuous, haunting, and unusually tender... a nakedly psychological 'in' to [Bergman's] earliest artistic impulses; nothing else in his oeuvre addresses so directly his childhood escapes into fantasy as the by-product of a harsh Lutheran upbringing.
A sumptuously produced period piece that is also a rich tapestry of childhood memoirs and moods, fear and fancy, employing all the manners and means of the best of cinematic theatrical from high and low comedy to darkest tragedy.
Bergman's 1982 career summation and the kind of rich, timeless, cautionless magnum opus we can only receive, like benedictions, from artists who've paid their generation's dues of sweat, risk, tears, and honesty.
It is very much, and in the best way, an old man's movie, the work of an artist resigned to life's mystery, full of wonder at the passage of time, full of forgiveness for past wrongs, and full of understanding.