Fargo

1996

Fargo

Critics Consensus

Violent, quirky, and darkly funny, Fargo delivers an original crime story and a wonderful performance by McDormand.

93%

TOMATOMETER

Reviews Counted: 91

93%
liked it

Audience Score

User Ratings: 233,620

TOMATOMETER

N/A
All Critics | Top Critics
Average Rating: N/A
Reviews Count: 0
Fresh: 0
Rotten: 0

AUDIENCE SCORE

93%
Average Rating: 3.9/5

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Movie Info

A pregnant police chief is investigating a series of homicides across the frozen tundra. Against a sprawling Minnesota landscape, a car salesman hires two criminals to kidnap his wife. But when the scheme goes sour, and wood chippers get involved, the haphazard kidnapping plot turns deadly serious.

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Cast

Frances McDormand
as Marge Gunderson
Steve Buscemi
as Carl Showalter
William H. Macy
as Jerry Lundegaard
Peter Stormare
as Gaear Grimsrud
Harve Presnell
as Wade Gustafson
Kristin Rudrud
as Jean Lundegaard
John Carroll Lynch
as Norm Gunderson
Steve Park
as Mike Yanagita
Tony Denman
as Scotty Lundegaard
Stephen Park
as Mike Yanagita
Steve Reevis
as Shep Proudfoot
Warren Keith
as Reilly Diefenbach
Larry Brandenburg
as Stan Grossman
Bruce Campbell
as Soap Opera Star on TV
Cliff Rakerd
as Officer Olson
Bain Boehlke
as Mr. Mohra
Gary Houston
as Irate Customer
Sally Wingert
as Irate Customer's Wife
Kurt Schweickhardt
as Car Salesman
Larissa Kokernot
as Hooker No. 1
Melissa Peterman
as Hooker No. 2
Steve Edelman
as Morning Show Host
Sharon Anderson
as Morning Show Hostess
James Gaulke
as State Trooper
Petra Boden
as Cashier
Jessica Shepherd
as Hotel Clerk
Peter Schmitz
as Airport Lot Attendant
Steve Shaefer
as Mechanic
David S. Lomax
as Man in Hallway
Don William Skahill
as Night Parking Attendant
Robert Ozasky
as Bismarck Cop No. 1
John Bandemer
as Bismarck Cop No. 2
Don Wescott
as Bark Beetle Narrator
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News & Interviews for Fargo

Critic Reviews for Fargo

All Critics (91) | Top Critics (30)

  • The Coen Brothers are among the most able practitioners in America and this film is one of their best attempts to turn a familiar genre -- the True Crime drama -- into something miles away from the ordinary.

    Mar 20, 2018 | Full Review…

    Derek Malcolm

    Guardian
    Top Critic
  • [Frances] McDormand is excellent and has a lot of fun with her tenacious and competent character, who is dedicated to duty and her sweet, supportive husband.

    Mar 19, 2018 | Full Review…
  • The film is a work of brick-by-brick world-building in the service of characters whose ordinariness is just as carefully crafted.

    Jan 19, 2016 | Full Review…
  • Fargo, with its grotesque murders and cheery detectives, is a cold gem that takes us to the far north. Its seemingly pitiless light opens up the realms of darkness concealed beneath that world of white.

    Apr 21, 2014 | Rating: 3.5/4 | Full Review…
  • A small, supremely satisfying film. Heck and you betcha, it is.

    Apr 21, 2014 | Rating: 3.5/4 | Full Review…
  • A few scenes go around in circles, as if snow-blind, and the humor may be too inward and contorted for some tastes. But McDormand brings order to the weirdness and warms it up.

    Apr 21, 2014 | Full Review…

Audience Reviews for Fargo

Marge Gunderson: There's more to life than a little money, you know. Don'tcha know that? And here ya are, and it's a beautiful day. Well. I just don't understand it. "a homespun murder story": Fargo is one of the Coen Brothers best films. I believe I've seen this like four times now and every time I do, it leaves a bigger expression on me. Are there any better filmmakers in the world then the Coen's? This film makes me want to be able to construct a story like this. Their talent is just awe inspiring. Even the things that don't make sense the first time around, like the character Mike who advances the plot nowhere. He's there for a reason though, as is everything and when all the pieces(and there are a shit load of them) come together... chills. The film starts on a man driving in the snow with another car attached. He arrives in Fargo, North Dakota, where he is meeting two men. The man is Jerry Lundegaard and from the first moment on screen, you know exactly who he is. He has no backbone and is cowardly, but what he's seeing the two men about doesn't fit those character descriptions. He's in a big financial and soon to be legal problem, so he hires two men to kidnap his wife and extort a ransom from her rich father. Everything goes wrong for everyone and a bright, but slightly naïve North Dakota police woman is right behind them the whole way. I can't think of any aspect of the film that isn't excellent. None of it is just passable, or okay, or good. It's damn near perfect. The performances. William H. Macy is at his best as the man that can't do anything right. Frances McDormand is beyond words and very deserving of that Oscar. Steve Buscemi and Peter Stormare are hilarious. The first scene where Stormare is just sitting there, imposing his silent stare on Macy; hilarious. The writing. You can't say enough about how well this story is written. From go, the Coen's are making jokes, saying it's based on true events. The direction goes hand in foot with the writing. Joel and Ethan are on top of everything. The cinematography is beautiful with the pure white snow, and that music is so damn atmospheric and haunting. The movie is hard to put into words, but obviously it's worthy of a viewing. In fact, it should be necessary. This is filmmaking at its best.

Melvin White
Melvin White

Super Reviewer

½

Funny, suspenseful, and brilliantly plotted. I loved how the film was constructed, the funny accents, the would-be thugs, the somewhat dim-witted townsfolk, the strong Marge, and the nervous Jerry. Every character is excellently portrayed and the story told is strong and well conceived. A must-see.

Wildaly M
Wildaly M

Super Reviewer

This darkly comedic crime thriller from Joel and Ethan Coen is a real doozy, don'tcha know? Set around Minnesota and North Dakota in the winter of 1987, this film both embraces and satirizes the Minnesota upbringing of its writers/producers/directors. William H. Macy is Jerry Lundegaard- a sad sack ineffectual car salesman who is hard up for money. His wife and her dad (Jerry's boss) are both well off, but, even if they knew he needed the money, they probably wouldn't give it to him anyway, His solution is to enlist a criminal version of the odd couple (chatter box Steve Buscemi, and silent psycho Peter Stormare) to kidnap Jerry's wife, then use the ransom as payment for both them and himself. Things get complex, and especially messy when the plan doesn't go as designed, and blood becomes shed. To make things even more interesting, small town sheriff Marge Gunderson (Frances McDormand) gets thrown into the mix, and her down to Earth, smart approach really adds layers of warmth and heart, made even more poignant by the fact that she's also 7 months pregnant. There's already been so much written about this, that I really don't have anything new to contribute. It holds up to its reputation, and is a real masterpiece of writing, direction, and acting. I can't really describe it: everything just clicks, and there's a nice balance to the laughs and bloodshed. The characters and themes are interesting and thought provoking, and come on, Marge Gunderson is undeniably one of the coolest and greatest characters ever created. I'm so happy this film nabbed the Bros. Coen a writing Oscar, as well as one for McDormand's superb acting. It's a shame. Like all Coen Brothers films, the cinematography and music are brilliant, and, while complex, the film is really fairly easy to follow. It's a shame this lost Best Picture to The English Patient, because this was the film that deserved it more. Bottom line: this is a must see, and its place on all the various types of best of lists is absolutely justified. Truly a great American classic.

Chris Weber
Chris Weber

Super Reviewer

When I first heard of Fargo, I thought from all these reviews that it was a comedy. When I read the genre, it told me it was a crime-thriller. And before I watched it on Epix, I learned it was a dark comedy. Then I thought I was gonna hate this movie, for the film "A Serious Man" was a dark-comedy and was also directed by the Coen brothers, was a complete and utter failure to me. But I soon came to realize something during the film; this movie is amazing. It started as a comedy, in which the laughs were very dark and enjoyable, then grew into a problematic drama, which grew into a crime film, and then quickly into a thriller. All the genres that I expected were in the film, but never was my first thought about it. Fargo is a film that surprised me completely. Winning two academy awards (Best Actress and Best Original Screenplay), Fargo is an exciting adventure to watch. Based in small cities of Minnesota, Fargo is about a car salesman who tries to buy an investment on a parking lot. He needs money, so he decides to hire two thugs to kidnap his wife and ask for ransom from her father (who is extremely wealthy) so he can get the money to invest. But not all goes as planned, and murder, lying, robbery, and much more occur in the events that happen afterwards. Joel and Ethan always seem to make me happy (besides "A Serious Man"), and not many directors can do that. The Acting was very well done, and I disagree with the Academy at not giving William H. Macy a nomination for Best Lead Actor, let alone not giving him a win for Best Supporting Actor. I believe his acting was better than Francis McDormand's, although she did deserve her win. Steve Beschumi also played his part as a villain well, as he always does. The Cinematography of this film was good. But I am also upset with the Academy for not giving this film a nomination for the score, which was excellent. It was perfect for the film, and fit the scenes well. If I heard this score again, I'd know it was from Fargo. The film really revolves around the characters alot in the film, and I give much respect for the film. The different character's lives and feelings were depicted in a very different way, with scenes that just brought happiness, terror, or humor to the eyes of the character's, and the audiences. But, there were little parts in the film that I didn't like, starting with some unnecessary scenes. There were amounts of sex in the film which didn't need to be there, and some scenes that didn't make any sense. And then there was the fact that the police officer was pregnant, which brought a few laughs to the film, but no actual meaning to the plot. That's really all. All in all, this was a film that should be viewed by any happy, mature audience, and should be praised highly by any open-minded movie goer. If you still didnt't understand why i gave this film the rating it got, please visit the link below: http://www.rottentomatoes.com/user/935623/blogs/?id=703501

shahmeer hashmat
shahmeer hashmat

Super Reviewer

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