Faster, Pussycat! Kill! Kill! Reviews

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August 24, 2020
A bizarrely campy film that could (and would) serve as inspiration for other filmmakers (most notably Quentin Tarantino) more than it can succeed as entertainment by itself.
August 23, 2017
So many exclamation marks, so little time.
October 8, 2009
Sadly, Faster, Pussycat! Kill! Kill! sounds far better on paper than it actually plays.
August 4, 2009
Russ Meyer's fetishistic vision of powerful bisexual amazons of mixed nationalities engaged in criminal super action exists in a cartoonish world of black and white humor where anything is possible
December 7, 2007
March 28, 2007
Gleefully sordid, violent, good-humored exploitation from Russ Meyer, the thinking person's skin-flick director.
March 28, 2007
Some good performances emerge from a one-note script via very good Russ Meyer direction and his outstanding editing.
February 20, 2007
Classic social satire and slapstick humor!
October 26, 2006
This one aimed for the unsophisticated drive-in market with its rich mixture of sex and violence, but served up no nudity or swearing.
January 26, 2006
A cheap and efficient comic horror movie, it's funniest when its dialogue and characters' behaviour are at their most non sequitur.
October 22, 2005
Joel Schumacher, camp? Meh - this is camp, and this is undeniably a wild good time.
June 15, 2005
March 2, 2005
This is the ultimate expression of the American cinema's greatest fetishes: big breasts, fast cars, tight jeans, and sudden death. This is, in its own way, one of the great films of the 60's.
July 27, 2004
The sex is intended to arouse, the violence to excite, and the combination enables Faster Pussycat's status as an absolute masterpiece of subversion.
September 18, 2003
Has a cult following that I am hard-pressed to grasp.
August 15, 2003
An awful movie but a tremendous spectacle and a pinnacle of camp exuberance, NOT to be missed.
March 10, 2003
I've always felt that Faster, Pussycat! suffered from an absence of Meyer's usual creative flourishes.
February 21, 2003
December 8, 2002
This is the quintessencial psychotronic film and Russ Meyer's best.
July 30, 2002
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