The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The performances by each of its six main characters... combined with Washington's gripping direction (inciting a mix of terror, madness, and pity), FENCES is simply extraordinary. It is not to be missed.
the power of the story lies not in its tragedy, but in how it finds the good in the bad, the seed of hope in the moments of despair, the strength of character in those most deeply and fundamentally flawed
As with many such family dramas, Davis' Rose is the foundation - and the scene in which she expresses betrayal may well be the movie's best. The rest of the cast, including Washington himself, is very nearly her equal.
The epilogue of the story, which probably works very well on stage, when presented in a more subtle way, simply doesn't work in the big screen. "Fences" is a powerful but failed drama. [Full review in Spanish]
Fences is a poignant domestic drama that takes its time and seldom cuts corners, the dialogue sprawling and spiking in a way that seems much better suited to the stage than what we are used to seeing on the snackable big screen.
A simple synopsis film (about the life of an African-American family in the late 50's), but full of contradictory and complex characters, with nuances that speak of a time that goes and another that comes. [Full review in Spanish]