The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Wilson's dialogue is superlative -- soulful, authentic and timely and almost musical, sharing a cadence that's part of most urban cities. Under Washington's direction and Christensen's cinematography, there is no wasted moment, no empty frame.
Directed by Denzel Washington, who also appears in the movie as its lead, Fences offers a startlingly detailed look into the Black relationship - and touches upon the destructive nature of Black masculinity, particularly when it involves the Black woman.
Wilson's powerful story, which encompasses not just love, sex, race, oedipal clashes, betrayal and death, but even music and sport, has the scope of a Great American Novel. Washington and company do it justice.
Fences comes to the stage almost entirely intact, including Wilson's beautiful language and scenery-chewing monologues, and as Troy [Denzel] Washington does some of his finest acting work in recent memory.
Playwright Wilson wrote the screenplay, and resists the effort to open the play up too much. If it sometimes reminds you of its origins on stage, it's worth remembering that that medium offers dramatics potentials that can't always be found on film.