The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The inordinate length of the piece and the constantly descending tone of the drama results in an ultimately heavy, draining experience from a director who should have been braver in breaking out of the constraints of its stage origins.
The symbolism is heavy handed. It's like being repeatedly clobbered by Troy's prized baseball bat: Rose takes a phone call that delivers bad news; a lightning flash illuminates the crucifix on her wall.
It's not cinematic enough to make you forget you're watching something conceived for another, more spatially constricted medium, but it's too cinematic to capture the intensity, the concentration, of a great theatrical event.
Balancing the joys of the script that turned Wilson's play into a multi award-winning juggernaut with a desire to adapt such a play for Hollywood is a fine line, but sadly it is one that Denzel is unable to straddle.
Fences comes to the stage almost entirely intact, including Wilson's beautiful language and scenery-chewing monologues, and as Troy [Denzel] Washington does some of his finest acting work in recent memory.