The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
An outrageous mixture of brilliant technique, puerile philosophizing, trenchant satire and sensory overload, Fight Club is the most incendiary movie to come out of Hollywood in a long time. It's a mess, but one worth fighting about.
...capturing perfectly the stirring discontent of the 90s & the madness (geopolitical/economic) that would erupt globally in the decade to come. For in his love of anarchic (self-)destruction, Tyler shows the new Millennium through a glass darkly.
perhaps the most post-9/11 film to have been made pre-9/11, capturing perfectly both the stirring discontent of the Nineties and the madness (both geopolitical and especially economic) that would erupt globally in the decade to come.
Fight Club jettisons its sense of humour 60 minutes in, and, so far from satirising the tiresome "crisis of masculinity" stuff sloshing around the airwaves either side of the Atlantic, the film simply endorses it.
It is working American Beauty-Susan Faludi territory, that illiberal, impious, inarticulate fringe that threatens the smug American center with an anger that cannot explain itself, can act out its frustrations only in inexplicable violence.
We're meant to take the male bonding and the blood rituals as a protest against the sterility of corporate life and modern design, but Fincher's sadomasochistic kicks overwhelm any possible social critique.