Fill the Void (2013)
Critic Consensus: Graceful, complex, and beautifully layered, Fill the Void offers a sympathetic portrait of an insulated culture by exploring universal themes.
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Critic Reviews for Fill the Void
This is an extraordinary first film, nerve-tingling in its intensity, and assembled with a finesse and control even the great Austrian director Michael Haneke might envy.
Beautiful and mysterious, the[se] first glimpses are an ideal primer for the Israeli film, which never rushes to spell out the meanings of its subtle and quiet moments.
It's an artful, character-driven drama that constitutes a minor miracle of empathy.
Burshtein creates a one-of-a-kind portrait that nonetheless transcends its setting, and even its worldview; the dynamics are global.
Burshtein has achieved a gripping film without victims or villains, an ambiguous tragedy drawing on universal themes of love and loss, self-sacrifice and self-preservation.
Audience Reviews for Fill the Void
Israeli powerhouse Rama Burshtein is the first female Orthodox Jewish director to make a film outside of the community, for wider distribution. She wrote and directed "Fill the Void," a film about the marital prospects of Shira, who realizes she wants to marry her sister's widower. Read more at http://www.bluefairyblog.com/reviews/2015/5/22/fill-the-void
Yet another culture that I do NOT get. Poor, poor girl. This is a roughly made Hebrew film. Interesting to watch. Kind of slow...
I feel that the film is definitely worth watching although some of the scenes and the ending seem to be end at the wrong moment; when you really want to find out what a characters says next or what he/she does. I suppose these could be only minor flaws in an otherwise fantastic film, but these details did make it anticlimactic for me. Perhaps this brings a welcomed ambiguity that is lacking so often in many films. Despite this, I cannot deny the emotional charge with which the leads bring to their performance. I keeps you captivated.
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