The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Under the direction of James Cameron protegé Steven Quayle, the visual effects from Ariel Velasco Shaw (who has crafted mayhem on everything from 300 to Freddy vs. Jason) ensure that no industrial hook through a skull is left unimagined.
A long and eventually tedious series of deaths, all in slightly sickening 3-D. Splattered eyeballs, snapped spines, heart kebabs - one numbingly after another, in diamond-hard focus and ruby-red color.
A new wrinkle in how the killings spool out actually makes the film even more predictable, and the deaths, which tend to be squirmy rather than explosive, are so perfunctory and lazily jokey that they leave a decidedly bad aftertaste.
Constrained by a formula as restrictive as the elements that define haiku or iambic pentameter, scripter Eric Heisserer and first-time feature helmer Steven Quale nevertheless generate a respectable amount of suspense in Final Destination 5.
I expect this movie to make a lot of money at the box office, spent by fans eager to see still more cool ways for hot young characters to be slaughtered. My review will not be read by any of these people. They know what they enjoy.