The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Lamorisse's film was a third of this length, and was lighter than air. Hou's is about the weight of air itself on a muggy day, and whether that sustains over 113 minutes will be between each viewer and his attention span.
The story of these people is certainly engaging. The conundrums of art and reality, of reflection and mirror images, presented by the movie are another matter - they seem at times gratuitous. But at least the movie does give us something to think about.
For all its fuss and fury, Flight of the Red Balloon succeeds magnificently, providing not only an artful homage to Lamorisse's Academy Award-winning short, but also a weightlessly floating tour of the French capital.
Nothing much happens in The Flight Of The Red Balloon, and that's all by design: [director] Hou means to evoke a city and a few of the lonely characters within it, and he does so with consummate grace, affection, and a subtle touch of magic.
A relatively slight but sturdy work by Taiwanese master Hou Hsiao-hsien, this slice of contemporary urban life more or less does for Paris what his Cafe Lumiere did for Tokyo, albeit with less minimalism and more overt emotion.