Floating Weeds (Ukigusa) (1959)
Floating Weeds (Ukigusa) Photos
Critic Reviews for Floating Weeds (Ukigusa)
The sheer beauty of Ozu's exquisite (and typically eccentric) compositions and the expressive use of sound tell all you need know about the characters, their emotions and relationships.
Ozu is, however, very special in his technique, which by the end of his career, had become very modest, lucid and lovely.
His spare, slow-moving films are not for all tastes, but once the rhythms are accepted, Ozu's work offers a unique emotional experience.
Sooner or later, everyone who loves movies comes to Ozu. He is the quietest and gentlest of directors, the most humanistic, the most serene. But the emotions that flow through his films are strong and deep.
...there isn't a detail in Floating Weeds that isn't meant to be carefully seen.
Audience Reviews for Floating Weeds (Ukigusa)
Well this is my introduction to Ozu and it's a highly overrated one. I mean to long indulged film offered me nothing. One beautiful camera shot in the rain and all of a sudden this has some of the best cinematography ever. A predictable and overly laid out story. Awful, and I mean dreadful acting. I don't see anything classic about this. I will credit the color usage, but other than that this is really not special.
a rare remake of a film directed by the same auter of the original, ozu retells his silent 1934 classic with the use of sound, dialogue, and color cinematography. suprisingly the only reason this film is even slightly better than the original is ozu's ability to flesh out the story more with 30 extra minutes and talking actors, but the original silent is so amazing that both films should be seen as top notch films. this version is more light hearted than the original but still dark in its own ways, and the telling of this father/son story is beautiful and effective. a truly wonderful film.
Maybe I just don't like Japanese films, but this is overrated to the hilt. The story is average and the cinematography isn't as cathartic as most would delude themselves into thinking. It was long and boring but it wasn't just that I disliked - it was Ozu's assuming of self-importance that from the start turned me off the film.
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